Mary Poppins Returns

 Posted by on December 25, 2018  Lefties, My stroke, Storyboards, VisDev, Work  Tagged with:
Dec 252018

Today is the sixth anniversary of the day I could have left this mortal coil, but instead stayed for another few rounds. Ever since, December 26th has become my own personal day of thanksgiving, where I count myself lucky to be here at all. This year I’d like to write about the landmark year of 2016, when I worked on “MARY POPPINS RETURNS” (in cinemas now) and began to claw my way back into the animation career I’d loved for 30 years, after losing the use of my drawing arm in 2012. 

Immediately after my STROKE, my focus was on medical recovery; learning to think again, talk again, walk again, and deal with the after-shocks of my condition (many of which l still deal with today). Then there were money woes; medical bills, insurance problems and massive debt. I needed to get back to WORK.. Even though my drawing ability was gone, I could think of no other career I was qualified for than animation, so I began to try and draw with my LEFT hand.

In early 2016, almost 3 years of constant drawing practice began to pay off, when I got my first ever professional gigs as a southpaw story artist, culminating in work on “MARY POPPINS RETURNS”. My old Pixar colleague (from “Ratatouille”, “Finding Nemo”, & “Inside Out”) JIM CAPOBIANCO had been tapped to supervise 2D animated sequences in the “MARY POPPINS” sequel directed by ROB MARSHALL. The 2D animation would eventually be handled in LA, but as Jim is based in the Bay Area, the storyboards would be done up here.

Initially the storyboard unit consisted of Jim, production manager ALEX da SILVA, and myself, and Pixar sublet us a room in one of their many buildings around their famous Emeryville campus. Working from a script by DAVID MAGEE (and lyrics by MARC SHAIMAN & SCOTT WHITMAN) we started blocking out the action, while looking at period cartoonists of the late 19th and early 20th century (especially TS Sullivant, AB Frost, and Norman Lindsay) and a ‘shape’ to the action began to emerge. Meanwhile in LA, animation production designer JEFF TURLEY and character designer JAMES WOODS really cooked up a fantastic look to the sequence (seen in the finished film).

Beat-boards and designs were presented to the director ROB MARSHALL in the historic Hyperion building on the Disney campus (which I’d never visited before despite my long animation career). A large group of people of many disciplines working on other phases of the production all brainstormed together; choreographers, set designers, composers and cartoonists all assembled for what was perhaps the most marvellous meeting of its kind I’ve ever attended.

At times it felt exactly like a scene in a movie about people making a movie, each idea presented being enthusiastically plussed in realtime by people whose own specialty might have been music, dance, set-design or animation. One charming memory of that meeting was the epiphany that people with a background in DANCE (such as our director) and people who work in animation (such as us nerds) BOTH think in terms of striking a strong POSE, and a big part of those respective jobs is figuring out an appealing way of stringing such ‘images’ together..

Not long after this meeting it was decided to drastically edit the sequence. While some of my favourite moments got the axe (including those seen here) it was for the best. LA used to be chock full of 2D animation feature film talent, but neither it nor the many jobs that supported it, are common skillsets any more. By simplifying the sequence it became something actually doable.

Storyboarding earns its keep whenever it allows such choices to be made early, when all that’s been lost are rough drawings, rather than building sets or animating labour intensive scenes only to discover too late that they aren’t needed (or can’t be afforded). Even the simplified sequence was still challenging to do, and personally I wondered if it would even be possible to pull together a big enough team who knew how to do the work required.

It was a happy day when KEN DUNCAN joined the project. I have been a big fan of his work for many years, and he now has his own animation studio in Pasadena. He was able to assemble a fantastic crew of 2D veterans, and new talent too, and the work they did speaks for itself.. As the production progressed, Jim often had to fly back and forth between the Bay Area (supervising storyboards) and Los Angeles (supervising animation) and London (to keep an eye on the live action shoot) so our team of board artists expanded to include both DELIA GOSMAN & OVI NEDELCU, both superlative story artists that I have worked with before (at ILM & LAIKA).

By the end of 2016 the storyboarding was ramping down as the animation was in full swing and I wrapped off Mary Poppins. As I’d been working around the Pixar campus for most of 2016, my old colleagues there could see that I was trying my best to get back to being a pro storyboard artist, and they too took a chance on a broken down cartoonist, by giving me a spot on a new production that I’m still working on now.

This was one of my first chances to work in animation again, after losing the use of my drawing arm. The awkwardness of re-learning to draw with my left hand was offset with the JOY of being back in the industry that I love, working with lovely people on an utterly SUPERCALIFRAGILISTIC project. On this, my personal day of gratitude, I want to thank MARY POPPINS for taking me on.

  51 Responses to “Mary Poppins Returns”

  1. Lovely stuff, as always!

  2. Wonderful work Jamie

  3. Amazing! Congratulations. Jamie!
    Michael Webb

  4. Excellent! 2d/Cg/Stop Mo! Southpaw Triple Threat Baker. Looks like a wonderful show.

  5. Cc @MaryPoppins 💖

  6. Bravo Jamie for all your courage, perseverance and talent! They are lucky to have you.

  7. Look up the dictionary meaning of a “True Aussie Battler” and you’ll find two words: James Baker.

  8. Holy moly!!!! This post took my breathe away…You’re amazing but you’re also an inspiration <3

  9. Gorgeous work, Jamie!

  10. I hadn’t thought I wanted to see the movie, but that I know you worked on, I will have to, to see your sequences.

  11. Jimmy the hefty lefty.

  12. really beautiful stuff Jamie!
    …looking forward to seeing the film

  13. Merry Christmas – you are an inspiration to so many people. Have a great and restful holiday.

  14. Can’t try to imagine the powerful impact this has had on your life. Keep going hero. Baci.

  15. Glad that you came back to join us.

  16. You inspire me all days of the year, Jamie.

  17. Wow, that’s brilliant James!

  18. You are amazing to me, always. I am so grateful you are here, sir! Sending lots of hugs your way (and many congrats, too!)

  19. Congratulations Jamie!!!! Incredible work.

  20. Incredible, delightful drawings, as usual!! Congratulations!! I can’t wait to see the film!

  21. Way to deal, Mr. Baker. You possess a creative drive that simply cannot be thwarted.

  22. You are an inspiration James!! Thank you for sharing. Can’t wait to see Mary Poppins Returns. Will be thinking of you.

  23. Such beautiful work, full of life, humor, and personality! I can’t wait to see the film! Congratulations! and thank you!

  24. You Jimmy are an inspiration 💕 love you lots 💕

  25. You are SUPER inspiring James Baker! Love your drawing style & blog updates. I can’t wait to see this movie. I will always be a BIG fan of yours! Congratulations, from one of your many fans down under, Sarah 🙂

  26. Hi!
    I don’t know if you remember us but I’m Ross Cochrane’s daughter and my son Zion is our artist son. We met and had lunch with you in SF while we there. I just read this out to Zion and we honestly loved it. Love seeing this “comeback” you have worked so hard to achieve and we truly believe even better days are ahead for you!! Thanks for being such an inspiration to us all.
    River (Rachel) Bennett

  27. Amazing James. Thank you so much for sharing that with us all!

  28. Can’t wait to see it! Your strength and determination is amazing.

  29. Nice work Jamie!

    Your conviction and willpower never ceases to amaze, good work mate.

  30. Bravo Jamie your determination,courage and talent is being celebrated at last. Well done old pal.

  31. I love this work! They offer so much narrative and personality. It was a great pleasure and a privilege working together.

  32. You are such an inspiration to all of us! Thank you for sharing

  33. I love these so much, Gamie. We are waiting for my nieces in the lobby of the movie theater as we speak!

  34. Great drawings Jamie. And so inspiring for the comeback to anyone!!

  35. This is amazing, James. All of the Beards, in faraway Pittsburgh, are in awe of your talent and spirit and determination

  36. Nice one James! Looking forward to seeing it!

  37. You’ve really developed a lovely style of drawing mate. Very engaging work…seems that by being liberated from the need for a crisp finished product, you’ve discovered a gentle meandering language that enhances the inner character of your subjects. I think you’re drawing better than ever lol.

  38. A Throwback of the Left hand party. U are amazing and an inspiration for those who are disabled and fighting to overcome disabilities

  39. I just love your writing! And Mary Poppins! I had no idea! Congratulations

  40. You are an amzing man Mr Baker

  41. Happy December 26th, James! So happy you’re doing well and I absolutely love your left-handed drawings! Cheers!

  42. So inspiring, James. We are all so so proud of you!! ❤️❤️❤️

  43. Amazing and inspiring drawings and story!

  44. Love ya, mate!! Glad you stayed around and and fought!!! You are awesome and even more so now that you are a fellow Lefty!! 😉

  45. beautiful work, jamie! you’re a classy fella.

  46. You are a best of inspiration Jamie!

  47. Brilliant. Just brilliant. It’s no wonder people are inspired when working with you.

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