Here are a few more visual development sketches done while working in Ralph Eggleston‘s art department on FINDING NEMO, way back in 2000. Some of my drawings of turtles and pelicans seen here (as well as designs for a moorish idol and sharks posted earlier) actually made it into the ART OF FINDING NEMO book. None of the [..READ MORE..]
This is some visual development for WALL-E drawn back in early 2005 while I worked under the great production designer RALPH EGGLESTON in the Pixar ART department, before working in the story department on the same project. In its very earliest incarnation, WALL-E started as an idea developed by PETE DOCTER, but when it went into production the [..READ MORE..]
INSIDE OUT is an unusual film for a big studio to make; it is very ambitious and abstract. I worked on the story team from 2010 to late 2012, and everyone was excited about the idea, but dramatising that idea was at times quite challenging. I finally saw the film at a crew Wrap Party screening last month, [..READ MORE..]
Here are some visual development designs I drew for FINDING NEMO back in 2000, when I was freelancing for the Pixar art department and RALPH EGGLESTON. This was around the time that I began doing artwork in the computer, and in fact this first colour image was one of the first I’d ever finished in Photoshop. The character [..READ MORE..]
Here’s some very early RATATOUILLE visdev I did for Jan Pinkava, way back in 2000. As far as I know, I was the first artist to have drawn anything at all on this project, and these images were done as part of the very first pitch, where Jan pitched (I think) 3 of his original ideas, from which [..READ MORE..]
I can’t think of any cartoonist that I admire more than the great RONALD SEARLE. Many others feel the same about this superb satirist and stylist, including the 70 PIXAR artists who recently sent him a 91st BIRTHDAY SKETCHBOOK filled with tributes; a project which I was honored (though intimidated) to be included in. It was the one [..READ MORE..]
The organising, scanning and collating of old artwork continues… Here’s some FINDING NEMO concept sketches (in gouache and pencil) from early 2000. FINDING NEMO was the first time I’d ever worked for Pixar, as a freelance visual development artist, working mostly at home under RALPH EGGLESTON’s capable supervision. I must have jammed on visdev for about 6 months [..READ MORE..]
This charming gouache painting was just given to me by my pal MATT JONES. It may be a GOODBYE present for my departing the story crew we both worked on together, or perhaps it is a SORRY present, to make amends for the incredibly funny good-bye CARD he also did, depicting me in the depths of tawdriness, which [..READ MORE..]
Not so long ago Ronnie organised a re-union lunch for the story team that had worked on UP, where we were finally introduced to THE GOLDEN BOY. It was a very pleasant afternoon, reconnecting with some people I had not seen in ages and a wonderful way to commemorate the project that is definitely the film I am [..READ MORE..]
Last weekend, I was back in the Bay Area for a preview screening of UP, the 10th feature film from Pixar. The studio always puts on a good show at their WRAP PARTIES and it is a delight to see co-workers aglow in the joy of watching what they have worked so hard to make, while partying in [..READ MORE..]