Feb 272011
 

For the EMERALD CITY convention in Seattle this week, I have a “new” book to sell; a 56 page collection of all the Rocket Rabbit stories that I’ve published so far.

KENESS has really come through with yet another fantastic print job. At 8.25×10.5 inches, this format is much bigger than any of the earlier Rocket Rabbit books and the print quality is much better too. Some of the earliest stories were out of print so this was a way of bringing them back to light and they have never looked better.

I still plan on getting NEW Rocket Rabbit stories done by the end of 2011 but frankly it has been hard to find the time in what has been a busy work year so far, so this collection is a good place-holder till I generate some new pages.

Starting this Friday 4th of March and through Sunday the 6th, I will be sharing booth Space #606 with the same two gentlemen who gave me a spot last time around; DEREK THOMPSON & TED MATHOT. Emerald City is a wonderful show and I hope to see some of you there!

Feb 072011
 

Gung Hay Fat Choy, everybody! In the chinese zodiac, 2011 is the year of the Rabbit. Coincidentally, it is also the 10th year of my self-publishing efforts, which started with Rocket Rabbit back at Comic Con in 2001. If I can find enough spare time, I intend to publish an anniversary ROCKET RABBIT edition (collecting old stories plus new material) sometime later this year. The working title is YEAR OF THE RABBIT.

Sep 302010
 

Lately, I’ve been planning my self-published books for next year. 2011 will mark the 10th year of my self-publishing efforts, which began at Comic Con 2001, when I exhibited for the very first time (sharing a table with Bosco Ng and Derek Thompson).

Although there has been a steady flow of comics and minis in the interim, my output of published pages has not been as much as I’d wanted. Based on the amount of time I spend thinking about, and planning for this stuff, it should have been 5 times as many pages by now. I’ve been scribbling away on ideas for that entire decade (filling ring-binders with thumbnail layouts and story outlines) but lacking in the follow-through on some of the half-started ideas, which is partly an issue of TIME but is more accurately a lack of SELF-DISCIPLINE. So I’ve decided not to work on any NEW ideas until I’ve sifted through this pile of stuff to see if any of it can be made into something.

With that resolution in mind, I’m planning a big collection of Rocket Rabbit stories, probably broken into 2 books (possibly even 3). I hope to have the first collection coming out for Comic Con 2011, containing ALL the Rocket stories I’ve published, PLUS about the same amount of NEW material. A 10 year Anniversary Rocket Rabbit collection is in order, as HE got me started with all this self-publishing silliness in the first place. I have bashed together an outline for all (well, most) of the ideas I’ve ever had for that character, so that they can be combined under some sort of “story arc” though that is a grandiose term for what I hope to be a very silly book.

Now I just have to start the process of tidying it up…

Apr 142008
 

These are some sketches from when I was trying to figure out what Rocket Rabbit looks like. They must be from around 10 years ago. I have some even earlier doodles some place but I can’t lay my hands on them at present. I will post them when they turn up.

Mar 092008
 

When I am doodling away on my self-published comics, I can really disappear up my own creative tail-pipe on the preparations sometimes. I may spend days and days designing a character who only appears in one or two panels, drawing pages and pages of thumbnail sketches, and spending hours and hours thinking up names and back-stories and all that stuff…. none of which shows up in the final book.

Case in point, an airborne adversary for Rocket Rabbit, THRUST MONKEY. He’s a jet-pack powered bad-guy who, by the way, rolls (and flies) with JUMP CHIMP (posted earlier) a rocket-boot sporting fellow flying simian, both of whom are members of the APES OF WRATH, a freelance co-op of hairy marauders, each of whom got way more pencil mileage than was really required.

But on the other hand, playing around with all this stuff is the fun part of doing personal projects. And I get to post the left-overs in my blog.

Aug 222007
 

My Nephew JACK was 6 years old when he drew this pin-up of Rocket Rabbit, which he gave me while I visited his family in Maryland last year. It beats the hell out of any drawing I did at a similar age, and I can make the comparison because I still have a few of the pictures I drew when I was very little, although the paper they were drawn on is now brown with age.

Sometimes, people who don’t draw ask me “When did you start drawing?” In answer, I usually ask “When did you stop?” because every child draws. I just happen to be one of those who never stopped.

I believe that in MOST cases, the amount of time a child spends drawing, and more importantly enjoying drawing, is the key to artistic ability, rather than innate talent. Whether a child enjoys drawing enough to stay with it is not necessarily tied to their ability, at least in the beginning.

When looking at drawings by a group of 4 and 5 year olds, it is hard to predict which of the kids will become artists in future, and which will become accountants. In fact, the weaker drawings may actually be drawn by the kids who DO become artists later in life.

At around age 8 or 9, the difference in artistic ability becomes more obvious. This is when many children become frustrated at not being able to make their drawings look “real” and abandon drawing. Those who enjoy it, despite the frustration, keep drawing and the extra time spent scribbling makes a difference that you can see.

There are powerful reasons for children to move away from expressing themselves with pictures at that age. Consider that when we learn to read we move from picture books, to picture books with some words, then to novels with spot illustrations, and finally to books that are all text with no pictures at all. Thus, we are culturally conditioned to associate pictures with childhood and immaturity. Children are very concerned with “growing up” and so abandoning drawing can be a self conscious attempt to leave “childish” things behind.

The fact that our education system doesn’t place much importance on visual skills beyond kindergarten is another reason that many children give up drawing. At a similar age, we are being awarded prizes for academic and athletic achievement, so improvement in those areas (and overcoming the frustrations of your limitations) is rewarded. In my experience that was not the case with drawing, where the rewards were all purely personal.

On the other hand, the fact that drawing skill was not rewarded, or even acknowledged by “the system” was a large part of its appeal to me as a child. Making pictures was the only thing that gave me pleasure that wasn’t contingent on the opinions of team members, class mates or teachers. After about the age of 10, none of my other classmates drew, so it wasn’t a question of competing or being compared to anyone else. Drawing was something that I could do on my own, free from the judgements of others.

These days I draw to earn a living, rather than solely to amuse myself, as was the case when I was growing up. Sometimes it is hard to summon up that spirit of pure joy that drawing gave me as a child because my drawings are now tied to budgets and schedules, and bills, and generally bogged down in other mundane things… yes, even including the judgements of others that I was blissfully spared as a kid… But I think that my best work comes on those days when I can somehow find that childish attitude and pour it into a picture.

Jul 172007
 

This is a sketch of Rocket Rabbit’s partner, THE PROFESSOR, that I drew at LAST year’s Comic Con while minding the Abismo/Nerve Bomb booth. For those of you who don’t like the feet to be cut off on sketches, I say that she is probably wading through some knee-deep water… yeah, that’s it.

My preparations for this year’s Comic Con are nearing the finish line. The week before Comic Con is always hectic for me and this year is no different. No matter how hard I try to get a head-start on this stuff, it always seems to pile up on me at the last minute!

My fancy new printer showed up yesterday and now I have to figure out how to use it along with the extra Ink-System that I bought to go with it… all while puting finishing touches on the 36 page MINI. Everything needs to be done before a week from today because that is when Rhode and I drive down to San Diego.

For making the CON itself a little more manageable, I just found a very helpful link; an online BOOTH LOCATOR which displays a map of the Comic Con layout with mouse-over links that reveal the exhibitors at each booth. There is also a handy-dandy search field.