I recently found a pile of sketches that I drew when I was living in Tokyo. Back then I often doodled what I saw, perhaps because everything was so new to me and I had a lot of time on my hands, living in a vast, complicated metropolis where I didn’t know many people and couldn’t really communicate very well with most of those few people who I did know.
My interest in going to Japan had developed without any clear idea of what to expect. When I arrived in Tokyo I was blissfully unaware of anything about the place, including what it even looked like. Arriving with no preconceived notions whatever made those first impressions of Tokyo very powerful indeed. I remember seeing the modernity of Tokyo’s SHINJUKU area for the first time. Like a lot of other Westerners who arrived there in the mid 1980s, the only thing in my experience that I could compare it to were images from Science Fiction movies that I had seen. The density of the crowds, the modernity of the architecture, the visual noise of the neon-lights, the giant TV screens on the sides of buildings and the buzzing efficiency of the place were like nothing I had yet experienced. It amazed me that I had not heard of this place before I had visited it myself. I had vivid mental snapshots of Times Square, and Piccadilly projected inside my skull before I ever set foot in those places. Impressions formed not only from TV and movies, but also from conversations with friends who had visited them. I knew a ton of people who had been to London but had only met two people who had actually been to Japan before me… and why hadn’t they told me about GINZA? Or SHIBUYA? The first I knew of all these places, I was standing neck deep in their amazing spectacle.
Tokyo is a remarkably ugly city, and especially so given the fact that the people who live there are very much concerned with the appearances of things. But maybe “ugly” isn’t the right word, perhaps “disorganised” is better? But even that word shows up the paradox, because the Japanese are rather concerned with order as well, though apparently not when it came to the building of Tokyo. Right around the corner from where I lived was a bubble-gum factory, which was next to a school, next to an apartment next to a Temple. If there are zoning laws in Tokyo I can’t imagine what the restrictions must be…
For that reason it is a delight for modern architects. A Swiss architecture student I met one day, as I walked about the back-streets, opened my eyes to that fact. He had only come to Tokyo to see the buildings of Kenzo Tange and I used what little language and navigation skills I had acquired to help him find Tange’s church. Unlike me, I don’t think the Swiss guy cared much for Tokyo, other than the buildings. He kept asking me “Vhere are zee prOstitUtes?” I had no idea. My budget didn’t run to such things.
Ugly or not, Tokyo is a fascinating city to spend time in. Its wiggly streets noodle out all over the place, full of little nooks to explore, but newcomers learn the way to and from their daily haunts by rote, afraid to stray from the familiar path that they have hacked through the eccentric and tangled jungle of buildings and lanes. That is how I was at first. Later, I stumbled off the routes that I had known and often discovered that one block over from the path I had taken daily, there was a whole other world. Funny little shops. Themed cafes and restaurants. Weird buildings… and charming juxtapositions of things you wont see in any other city. There isn’t a better metropolis in the world to let yourself get lost in, which is just as well, because getting lost is very easy to do.
It is probably true to say that Tokyo is a difficult city to make friends in, though I did make a few, and acquaintances I made a-plenty. Sadly, I have lost contact with the Japanese people I knew back then, though I’ve managed to stay in touch with one or two of my foreigner pals. The subject of how hard it was to make friends in Tokyo was a common topic of our conversation. Some people would read a lot into it but It didn’t bother me, or even surprise me. I take it for granted that it is difficult making friends in any big city. Add to that a few other factors, such as not being able to speak the language, or the fact that the Japanese don’t traditionally entertain in their homes, and the GAIJIN can feel a bit left out.
In any case, none of that worried me… maybe it would have if I had spent more time living there, I don’t know… The truth is, I never felt connected anywhere, even in the place I had come from. At least in Tokyo I had an excuse for my alienation; I was an Alien! (We gaijin had to carry a finger-printed ALIEN ID card. I wish I had it now; what a souvenir!)
Sketching Japanese life was something I only did in those few still spaces here and there; parks, coffee shops restaurants and trains, but when I was on the move, which was most of the time, I took about a million photographs. I am so glad to have both the drawings and the photographs now, as a record of the the very happy years I spent in Japan. Mostly, it is only after some time has passed that I am able to look back on a certain time and realise how lucky I was to be there at that specific time and place. However, when I lived in Tokyo I was smart enough to realise that I was enjoying myself in the moment. I’ve only had that clarity a few times in my life and perhaps Tokyo was the first time. It is a great feeling to know that you are in the right place at the right time, at THAT time.
I always get jealous when I hear that someone I know is going to Tokyo, in a way that I don’t when people go on trips to other places that I enjoy… I am not sure why that is so… another mystery is why I have let 10 years pass by since I last visited Japan…
Perhaps it is time for me to go back for a visit? (More Tokyo sketches here)
26 thoughts on “Tokyo Sketches”
These are awesome Jamie.
The painting blows me away.
For real ugliness Jamie B I was wondering where the sketches of the Tokyo English Centre are? I just had a flashback of Moses staring out of the window killing time waiting for the other guys from the dorm to get home after work. martin
I love your sketches Jamie! The water color is my favorite. Me you and Rhode should go back there together, that would be fun.
Nice sketches! Beautiful! They remind me a bit of Nicolas de Crecy’s Japan sketches in his book “Journal d’un fantome”
awesome rumination Jamie … wonderful drawings … the temple is amazing …
time to go man … or is your trip there postponed?
I was so lucky to get to know you when I felt very “Gaijin” in LA on my early days! These sketches are amazing, Jamie.
I’m always curious as to how people decide to pick up and leave to live somewhere completely foreign to them…very brave…its something I wish I could do..but I always want to know…How did you support yourself? How did you know where to go? How and where did you live? I think if I had answers to these questions I might try it myself one day!! Nice sketches!!!
J>>Thanks. The temple picture is ballpoint pen and watercolour
Martin>>Sorry, no sketches of that grimy guest house we lived in, although I do have some photos, so if you want a squalor flashback just give me the word and I’ll e-mail you a few.
Mark G>>A trip to Japan with you guys? That would be fun!
Benton>>I’ll keep my eyes open for that De Crecy book. Thanks for the tip.
Enrico>>I had originally planned to go to Japan with my brother, at around this time as a matter of fact, but it fell through at his end due to work budgeting issues…
Patrick>>That’s right! I first met you when you were a fresh LA Gaijin! But you are an LA old-timer now.
Ramon>>The travelling part is actually pretty easy. Any place you want to go has a ton of GUIDE BOOKS written about it that give you all the info you could possibly need. Finding work when you get there is the tricky part… it is just a matter of keeping your ears and eyes open for what comes along and it is a help if you’ve got enough money to get you over that hump of uncertainty when you arrive.
Great sketches and recollections from your time in Japan. Where did you work when you were there?
I was there for about 10 days back in 1999 and had an amazing time.
The only thing that I found frustrating about my time there was the addresses of buildings. Nothing was traditionally numbered in order going down the street, they were numbered in the order they were constructed. A strange approach that makes it fairly difficult to find places.
Thanks for sharing!
John>>I worked as an English teacher for a few months until I lucked into a job at TOEI Animation studios. I also picked up a little steady illustration work for a few Tokyo based magazines. Being able to work in my chosen field was probably another reason that I enjoyed my time in Japan.
Yes, that Japanese addressing system is pretty whacky, isn’t it? That is why it is so easy to get lost over there. There is usually a little map of each neighbourhood outside each train station, so if you can read a little Japanese it gets easier…
I love this. I’ve had a fascination with Japan since my teens too, and STILL haven’t gone!
JP>I thoroughly loved it. I’ve not been back there myself in years, all my contacts there (and sofas to doss on) are now gone, but I’d love to get back there one day. You should try and pull that Pixar-card, and get flown over to give a talk there, at a media symposium/festival or whatever!
Priscilla>Thanks. I will see if I can find more old stuff and post that too.
Another lovely posting of your life! Love this stuff!
thanks for this nice bit of recollection from your trips! love the art.
Thanks, guys. I’m working on a post now about when I worked in Saturday morning animation in Taiwan in 1986.
It would be really cool too if you shared the process of how that worked in sat morning cartoons. I bet it’s not too dissimilar to a lot things now.
Yeah. It really was very similar to a lot of production today. And of course I had done Saturday morning production in Sydney as well
1986?? Damn! I was just getting out of high school! WTH? Great sketches Jamie!
Did you work on some of my favorite shows, I wonder :)
Vic> What can I tell you; I’m a geezer!
Ed> maybe. I worked on all sorts of Saturday Morning garbage for the first 10 years of my animation career.
Jamie worked on the Smurfs! What else matters?????!!!!!
la LA la la la la
True Vet Jamie! Mad respect for the old school.