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The Tiniest Bear

A long way away from wherever it is that you live right now, there once was a tiny little cottage at the end of a long and winding trail, deep inside a forest of tall and tangled trees.
Inside this cottage there lived a family of misfit bears. There was an enormous polar bear, a gigantic grizzly bear, a huge black bear, and even a teeny tiny Koala bear.
As everybody who knows anything about bears will tell you, koalas aren’t REAL bears. This koala was even less real-er than the others, for it was actually a little girl. Though not a real bear, the little girl had many excellent bear-like qualities.

She could dance just like a real dancing-bear. She could wrestle just like a real wrestling-bear. Also she was cranky when she woke up in the mornings, just like a real bear!
But best of all, like any real bear, she liked bear-hugs. The bears would hug her right back, though not at full bear-strength (they didn’t want to break her). Those bears loved the little girl as much as if she was a real little bear.
Even though she always cheated at cards.
The little girl felt more at home with those bears than she’d ever felt before and she enjoyed playing with them all year long.
Then one day, the first fall of snow painted the forest in white and announced to the world that winter was beginning.
The bears began to yawn. As everybody who knows anything about bears will tell you, bears sleep ALL through the winter.
The little girl did not feel sleepy. As everybody who knows anything about little girls will tell you, they DON’T sleep all through winter (unless it is night time, of course). The bears worried that the little girl would be lonely while they slept all winter.
So before they went to sleep, the bears gave her a present. They said “We will be asleep for a while. You may feel a lack of bear in your life. Open this if you feel lonely before we wake up.”
The bears each carefully hugged the little girl good night, and then they all went to sleep. As soon as they were snoring, the little girl felt terribly alone.
The little girl opened her present. It was a TEDDY BEAR. As everybody who knows anything about teddy bears will tell you, teddy bears have many excellent bear-like qualities, but they aren’t real bears.
Teddy Bears don’t need to sleep all winter (in fact they don’t sleep at all). So the teddy bear could keep the little girl company until the other bears woke up in the spring.
And best of all, teddy bears like bear-hugs. The little girl loved that teddy bear as much as if he were a real little bear.
Even though he always cheated at cards.

WonderCon 2008

My WonderCon sales were low this year. As to the socialising, I went to a “costume party” where about 6 people out of 200 actually wore costumes (Rhode and I being 2 of them). So the fun I had at this year’s WonderCon came mostly in making a new book.

Nothing but fun in the Abismo/Nerve Bomb booth!

After spending years using a fiddly time-consuming process on writing, thumb-nailing and inking my self-published comics, I have recently been looking for a looser, faster style. In order to find it, I have been trying to make MINI comics in a few days as opposed to months as has been the case before. The fast turn-around is in order to stop myself from noodling but I have a hard time keeping drawings clean, clear and appealing when working loosely. I haven’t yet found the style I am looking for, but I am liking the exploration.

I first tried this new approach last year when a professional project ended earlier than expected and I had two weeks worth of extra time before COMIC CON 2007. I decided to make a mini-comic, and in order to do that book quickly, I resolved to work about as loosely as I would normally do my professional story-boards, only draw one panel per page, have proportionally more text and no word-balloons. This removed a lot of the fiddly parts of comic-book layouts and the end result felt like a tiny picture book (at 5.25 inches wide and 3.5 inches tall). A lot of the drawing was very rough, yet I found the whole experience very satisfying. Best of all, I managed to get a 36 page comic book done in just under two weeks, a story about the little dog I got when I was 7 years old entitled, JOCK.

Drawing comics on the first day of WonderCon

More recently, I decided to make a comic even faster, in a 3-day weekend. This was partly Inspired by some 24 hour comics that I saw done by Benton Jew and Anson Jew. Rather than working 24 hours in a row, I would work an 8 hour day for 3 consecutive days on the President’s Day long-weekend. Unfortunately, I wasn’t able to come up with anything I liked in the 3 days that I had set aside. I had a lot of variations on a few ideas but could not figure out which idea I wanted to do. So at the end of the weekend, I abandoned the notion of having something new done in time for WonderCon, which was less than a week away.

Then, on the following Wednesday morning, the ideas I had been toying with the previous weekend clicked into place in my mind and I quickly wrote out a simple little story that I liked a lot; a silly fairy tale about a little girl who lives with a family of bears, entitled THE TINIEST BEAR. With WonderCon beginning only two days away, I knuckled down to see if I could get this idea down on paper in time to sell at the con. In order to do this, I once again decided to work very loosely and at an even smaller size. The finished book was 2.75 inches tall and 4.25 inches wide. These dimensions meant that I could print a whole 16 page mini comic on one sheet of 8.5 x 11 paper (front and back) meaning that I could afford to do it all on my slow-printing ink-jet printer at home.

As it was, I needed 3 days to get it done and I took my laptop and Cintiq in to WonderCon on Friday to do last minute drawing at my booth. I worked on the drawings that same night and printed the pages out on Saturday morning, doing the page trimming and stapling at the Con itself, where the tiny books finally went on sale, as fresh as any comic book could possibly be. I have been “down to the wire” many times but never before to the point that I am actually working on the book at the show where I sold it!

Derek reads a freshly stapled Mini Comic

I was pretty happy with the story that I had written, and overall I had fun with the “3 day comic” approach. However, in order to get the artwork done in that time-frame, the drawings were very scribbly, which meant that customers weren’t immediately taken in by the artwork when they picked up the book and flipped through it. However, those few who took the time to actually READ the story usually bought it. Maybe next time, I’ll set aside more time for a polishing pass… I would still stick to the 3 days for writing and blocking-out the book and then have another 3 days to finesse the drawings add some tones and make the end result a little more palatable for the customers. It would still be satisfying to get something out under a week.

As to THE TINIEST BEAR, I plan to expand it to the proper length for a story book (24 pages, or maybe 32) and republish it myself, maybe even a colour version for this year’s Comic Con… and perhaps even submit it to a publisher as a proposal for a children’s book. I have more ideas for stories about the little girl and her bear posse… On the other hand, perhaps I might devote the time I have left this year to do other things instead… I have some comics stories that I would love to get cleaned up and put into a new comics book…

THE TINIEST BEAR; a scribbly-scratchy Mini comic

we shall see…

Mystery Memories

On my trip back home to Australia I had many chances to reminisce with old friends and family members about childhood memories. Disturbingly, I discovered on more than one occasion that my memories were inaccurate.

One happy childhood memory concerns my favourite children’s book, THE MAGIC PUDDING. I remember being very young and my Dad reading to me from this book over the course of a few nights just before I went to sleep. In my memory he is sitting on the edge of my bed doing all the voices of the characters as he reads. At the end of each chapter he snaps the book closed, saying that the rest will have to be read NEXT time, and I eagerly look forward to the next instalment. This happy memory is one of the many reasons that I love the book. The only problem is that it didn’t happen.

I found out this past Christmas that my Dad has never even read the Magic Pudding. He was quite adamant about it. I could easily absorb the idea that he may have forgotten reading the book to me, after all he had seven children, but it is harder to ignore the fact that he has no memory of reading the most famous Australian children’s book that there is.

Where did this memory come from? Did someone ELSE read the book to me and I somehow confused them with my own Dad (unlikely) Or did I make the memory up myself? If that is true how many of my other memories are fictions? Not being able to trust your memories of your own life is a very disturbing sensation…

LifeDrawing VS MindDrawing

Often, when I buy a big hard-cover sketchbook, I’m intimidated to even draw in it at all. Instead, I do most of my drawing on scraps of paper, and glue these into the sketchbook, using it more like a scrap book. I buy sketchbooks with the intention of drawing from life but instead I mostly fill them with doodles, things drawn from out of my head.

When it comes to drawing realism, I have always admired people I have worked with who can pull plausible images out of their minds without resorting to reference. Even when the subject matter isn’t some fantasy-land or goof-ball cartoon, I enjoy seeing a personal stylisation that informs drawings of the “real” world. I think that has made me want to be capable of the same. But I realise that part of the reason that people can draw from memory or imagination is that is that they have spent the time puting images INTO their heads first.

I can be sloppy about using reference too… Though not always out of pure laziness. I have learned that I draw better caricatures from memory than I do from looking at a photograph directly. Memory seems to record a shorthand record of a person’s dominant features and attitudes; a good place to start in doing a caricature. Seeing myself as a cartoonist rather than an artist gives me a bit more licence to exaggerate and fudge the details…


I suppose that the reason I started drawing in the first place was that it was a form of escapism. It wasn’t about representing reality but coming up with an alternative. Anyway, as much as I enjoy doodling from my imagination, I have been thinking that I need to more often feed it it with some reality; life drawing or sketching from life, or even copying images from books and magazines, is something that I need to do more of… in order to find that balance of personal style and plausiblity.

Ralph McQuarrie

Thanks to my generous, good friend Bosco, I now own the new ART OF RALPH McQUARRIE book, which collects a lifetime of fabulous artwork by the famous concept-designer and illustrator. If you have an interest in Concept design in general, or Star Wars in particular, this book is for you. Though you’ll have to wait for reprints as this print run is sold out.

When I was 13 years old, I saw Star Wars at my local movie theatre and, like most kids that year, I was agog at what I saw up on that movie-screen. I remember walking out of the theatre into a warm summer night and expressing, to my good childhood friend Stephen, what a bummer it was that real life was never going to be as cool as that movie…

To make up for this sad fact, I sought out information about Star Wars, which wasn’t hard to find due to the worldwide media blitz that even reached as far as the tiny town I lived in. I read a lot of articles about the film, including some on how it was actually made. In doing so, I first became acquainted with the artwork of designer Ralph McQuarrie. His drawings and paintings really fired my imagination. A year or two after the movie had come out I ordered my copy of the original “Art of Star Wars” book, which eventually fell apart from constant reading. In many cases, I found that I liked Ralph McQuarrie’s early concepts better than what ended up in the film, and that is saying something because I liked what ended up in the film a whole lot.

By that point, in my mid-teens, I had already decided that I wanted a career in animation but for a time I considered being a movie concept-designer instead. Wrestling with this big career decision was a somewhat abstract problem because I didn’t seriously believe that I’d ever have a chance to do either job anyway, living in Australia. All the big budget space movies and cartoons were done in the USA as far as I knew.

But that fact didn’t stop me from day-dreaming and drawing… So began a period where I drew spaceships and robots in addition to the cartoons and goofy pictures I had already been drawing for years. It was during this phase, when I was about 14, that I wrote the only fan letter I have ever written in my life, which I sent to Ralph McQuarrie (care of the publisher of the ART OF STAR WARS book, I think). I wrote about how much I was inspired by his artwork and also told him of my desire to get into animation or movie design someday. To my great surprise and delight he wrote me back a very encouraging letter. I certainly wasn’t expecting a response, but perhaps getting a letter all the way from Australia was a novelty for him. Whatever the reason for his taking the trouble to reply, that letter meant a great deal to me at the time. Any encouragement from adults was welcome at that age, let alone from the great Ralph McQuarrie, who had inspired me so much.

Not much later, at the age of 17, I had the great good fortune to actually get a job in animation and I gravitated back to my first love which is drawing cartoons, where I could (and still do) get away without knowing either perspective or anatomy or how to paint…

Years later, my animation career brought me to the San Francisco Bay Area. When going through an old box of stuff I had brought over from Australia, I found the letter from Ralph McQuarrie and was surprised to discover that the return address was from right here in the Bay Area, where of course, those early Star Wars movies were made. When I had received that letter at the age of 14 it was just a letter from the USA and the actual city it came from had not registered in my memory. So, as an adult, I wrote again to Ralph McQuarrie to thank him for the encouragement he had given me so long ago, for the inspiration that he gives me still, and to tell him that I DID manage to find my way into the career I had always wanted, as he had urged me to do. I sent the letter to the return address he had used many years earlier, but this time I got no reply. That was about 10 years ago, I guess.

Most likely he never got the letter, as I imagine that he may have moved in the many years since our first exchange of mail. In any case, after 30 years of getting fan mail from gomers around the world, I doubt that Ralph McQuarrie has the time to reply to even a fraction of the fan mail that he does receive… Hmmm, perhaps he DID get my new letter but feared responding to a stalker who had come to the USA from the far side of the world! :)

Anyway, looking through this fantastic new book brings back memories of reading all the old “Art of STAR WARS” books. I still get a kick out of looking at all those great paintings, plus, this book contains a ton of wonderful stuff I’ve never seen before, that will feed my hungry eyeballs for years to come. Thank you, Ralph McQuarrie, wherever you may be.

Tokyo Sketches

I recently found a pile of sketches that I drew when I was living in Tokyo. These days I don’t sketch from life, but back then I often doodled what I saw, perhaps because everything was so new to me and I had a lot of time on my hands, living in a vast, complicated metropolis where I didn’t know many people and couldn’t really communicate very well with most of those few people whom I did know. I’m not sure what inspired me to go to Japan in the first place… but I remember having a fascination in going there from my late teens onwards. It may have been because I had grown up watching Japanese TV cartoons? Even though I didn’t know that they were Japanese as a child; to me they were just Cartoons.

I was raised on a combination of Australian, British, Canadian and American movies and TV shows. Some Japanese shows too, but they were all cartoons. Whereas I had formed an impression of what REAL life may have been like in Britain and the USA from watching a wide variety of their dramas and comedies, I had no idea of what Japan was really like after watching SPEED RACER. Imagine forming an impression of daily life in the USA from only watching Scooby Doo and you will understand the depth of my sensitivity towards the ancient and complex culture of Japan when I first set foot upon its soil, at the age of 22.

Even though Japanese culture has become so intertwined with western culture that we feel it to be our own, we don’t really get an idea of what daily life in Japan is like from their cultural exports, because for the most part the Japanese export their fantasies; games, comics and cartoons, rather than slice of life dramas. So my interest in going to Japan had developed without any clear idea of what to expect. When I arrived in Tokyo I was blissfully unaware of anything about the place, including what it even looked like. Arriving with no preconceived notions whatever made those first impressions of Tokyo very powerful indeed.

I remember seeing the modernity of Tokyo’s SHINJUKU area for the first time. Like a lot of other Westerners who arrived there in the mid 1980s, the only thing in my experience that I could compare it to were images from Science Fiction movies that I had seen. The density of the crowds, the modernity of the architecture, the visual noise of the neon-lights, the giant TV screens on the sides of buildings and the buzzing efficiency of the place were like nothing I had yet experienced. It amazed me that I had not heard of this place before I had visited it myself. I had vivid mental snapshots of Times Square, and Piccadilly projected inside my skull before I ever set foot in those places. Impressions formed not only from TV and movies, but also from conversations with friends who had visited them. I knew a ton of people who had been to London but had only met two people who had actually been to Japan before me… and why hadn’t they told me about GINZA? Or SHIBUYA? The first I knew of all these places, I was standing neck deep in their amazing spectacle.

Tokyo is a remarkably ugly city, and especially so given the fact that the people who live there are very much concerned with the appearances of things. But maybe “ugly” isn’t the right word, perhaps “disorganised” is better? But even that word shows up the paradox, because the Japanese are rather concerned with order as well, though apparently not when it came to the building of Tokyo. Right around the corner from where I lived was a bubble-gum factory, which was next to a school, next to an apartment next to a Temple. If there are zoning laws in Tokyo I can’t imagine what the restrictions must be…

For that reason it is a delight for modern architects. A Swiss architecture student I met one day, as I walked about the back-streets, opened my eyes to that fact. He had only come to Tokyo to see the buildings of Kenzo Tange and I used what little language and navigation skills I had acquired to help him find Tange’s church. Unlike me, I don’t think the Swiss guy cared much for Tokyo, other than the buildings. He kept asking me “Vhere are zee prOstitUtes?” I had no idea. My budget didn’t run to such things.

Ugly or not, Tokyo is a fascinating city to spend time in. Its wiggly streets noodle out all over the place, full of little nooks to explore, but newcomers learn the way to and from their daily haunts by rote, afraid to stray from the familiar path that they have hacked through the eccentric and tangled jungle of buildings and lanes. That is how I was at first. Later, I stumbled off the routes that I had known and often discovered that one block over from the path I had taken daily, there was a whole other world. Funny little shops. Themed cafes and restaurants. Weird buildings… and charming juxtapositions of things you wont see in any other city. There isn’t a better metropolis in the world to let yourself get lost in, which is just as well, because getting lost is very easy to do.

It is probably true to say that Tokyo is a difficult city to make friends in, though I did make a few, and acquaintances I made a-plenty. Sadly, I have lost contact with the Japanese people I knew back then, though I’ve managed to stay in touch with one or two of my foreigner pals. The subject of how hard it was to make friends in Tokyo was a common topic of our conversation. Some people would read a lot into it but It didn’t bother me, or even surprise me. I take it for granted that it is difficult making friends in any big city. Add to that a few other factors, such as not being able to speak the language, or the fact that the Japanese don’t traditionally entertain in their homes, and the GAIJIN can feel a bit left out.

In any case, none of that worried me… maybe it would have if I had spent more time living there, I don’t know… The truth is, I never felt connected anywhere, even in the place I had come from. At least in Tokyo I had an excuse for my alienation; I was an Alien! (We gaijin had to carry a finger-printed ALIEN ID card. I wish I had it now; what a souvenir!)

Sketching Japanese life was something I only did in those few still spaces here and there; parks, coffee shops restaurants and trains, but when I was on the move, which was most of the time, I took about a million photographs. I am so glad to have both the drawings and the photographs now, as a record of the the very happy years I spent in Japan. Mostly, it is only after some time has passed that I am able to look back on a certain time and realise how lucky I was to be there at that specific time and place. However, when I lived in Tokyo I was smart enough to realise that I was enjoying myself in the moment. I’ve only had that clarity a few times in my life and perhaps Tokyo was the first time. It is a great feeling to know that you are in the right place at the right time, at THAT time.


I always get jealous when I hear that someone I know is going to Tokyo, in a way that I don’t when people go on trips to other places that I enjoy… I am not sure why that is so… another mystery is why I have let 10 years pass by since I last visited Japan…

Perhaps it is time for me to go back for a visit?

Rocket Rabbit by JACK

My Nephew JACK was 6 years old when he drew this pin-up of Rocket Rabbit, which he gave me while I visited his family in Maryland last year. It beats the hell out of any drawing I did at a similar age, and I can make the comparison because I still have a few of the pictures I drew when I was very little, although the paper they were drawn on is now brown with age.

Sometimes, people who don’t draw ask me “When did you start drawing?” In answer, I usually ask “When did you stop?” because every child draws. I just happen to be one of those who never stopped.

I believe that in MOST cases, the amount of time a child spends drawing, and more importantly enjoying drawing, is the key to artistic ability, rather than innate talent. Whether a child enjoys drawing enough to stay with it is not necessarily tied to their ability, at least in the beginning.

When looking at drawings by a group of 4 and 5 year olds, it is hard to predict which of the kids will become artists in future, and which will become accountants. In fact, the weaker drawings may actually be drawn by the kids who DO become artists later in life.

At around age 8 or 9, the difference in artistic ability becomes more obvious. This is when many children become frustrated at not being able to make their drawings look “real” and abandon drawing. Those who enjoy it, despite the frustration, keep drawing and the extra time spent scribbling makes a difference that you can see.

There are powerful reasons for children to move away from expressing themselves with pictures at that age. Consider that when we learn to read we move from picture books, to picture books with some words, then to novels with spot illustrations, and finally to books that are all text with no pictures at all. Thus, we are culturally conditioned to associate pictures with childhood and immaturity. Children are very concerned with “growing up” and so abandoning drawing can be a self conscious attempt to leave “childish” things behind.

The fact that our education system doesn’t place much importance on visual skills beyond kindergarten is another reason that many children give up drawing. At a similar age, we are being awarded prizes for academic and athletic achievement, so improvement in those areas (and overcoming the frustrations of your limitations) is rewarded. In my experience that was not the case with drawing, where the rewards were all purely personal.

On the other hand, the fact that drawing skill was not rewarded, or even acknowledged by “the system” was a large part of its appeal to me as a child. Making pictures was the only thing that gave me pleasure that wasn’t contingent on the opinions of team members, class mates or teachers. After about the age of 10, none of my other classmates drew, so it wasn’t a question of competing or being compared to anyone else. Drawing was something that I could do on my own, free from the judgements of others.

These days I draw to earn a living, rather than solely to amuse myself, as was the case when I was growing up. Sometimes it is hard to summon up that spirit of pure joy that drawing gave me as a child because my drawings are now tied to budgets and schedules, and bills, and generally bogged down in other mundane things… yes, even including the judgements of others that I was blissfully spared as a kid… But I think that my best work comes on those days when I can somehow find that childish attitude and pour it into a picture.

The TALE of my Dog


The year that I was six but turning seven years old, my family moved to a new town. I know very well that childhood memories are exaggerated, focusing as they do mainly on extreme situations most likely to leave an impression on us. Our powerful kiddie emotions, mixed with some facts, creates a cocktail that tastes of historical reality, but may be partly hallucinogenic…

With that caveat firmly in place, let me tell you how I remember the transition from my life in one community to the other. In the first, I am a debonair six year old fellow, a tiny man about town, surrounded by a multitude of friends who find me ever so witty, and capable. I am considered to be a great asset to any Primary-school birthday party and I even have a little girlfriend. My family then leaves this paradise, drives across 3 states and when I arrive at the new town I am transformed into a hopeless nong who can’t do anything right. It was as if we had packed everything in the car but had forgotten to pack my popularity, which was left behind (I wonder if someone else found it, laying abandoned, and used it, perhaps?)

I developed asthma and skin conditions and other outward manifestations of my inner turmoil. Worst of all, I was stricken by one of the worst cases of clinical Cry-Babyism ever seen by medical professionals in the New England Tablelands region of Australia. (I believe that my case is still cited in some medical texts even today).

The first breakthrough in my adjusting to this new hometown came along in the form of a jaunty little dog named JOCK. My parents rescued him from death-row at the local dog-pound and in exchange for this reprieve he agreed to do what he could to rescue me from my self-pity. Jock was a black and white mongrel, a mix of some terrier and perhaps some sheep-dog. With the wisdom of hindsight he probably wasn’t much to look at… but I was oblivious to that at the time because I loved him so. He was built low to the ground, with legs too short for his body and a body that was too short for his tail, which was curved up and held at a rakish angle; a furry little pirate brandishing his scimitar.

Even though Jock was small, he could keep up with me wherever we had to go. If I climbed over fences, he would too, or else find a way under them. Unlike many small dogs, he wasn’t afraid to jump in a swimming hole or go in the surf. He had the run of the neighbourhood and I don’t remember him ever being on a leash, he was out on his own recognizance most of the time.

When not with me, Jock ran with his own little pack of neighbourhood mutts. There were about 6 of them and they were all small to mid-sized dogs but none of them were “cute”. The overall effect that they made as they trotted about the place was that of a gang of teenage punks. There was something slightly roguish about them. They were up to no good.

Jock ostensibly slept outside in a space under the water-tank stand, but at night he would sneak into my bedroom through the window I had left open for him and actually sleep on my bed. He usually had the sense to make himself scarce in the mornings so as not to be caught there by my parents, who were of the “pets don’t sleep in the house” variety. He was a really fantastic dog for a little seven-year-old boy to have.

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The Nasty Stranger

On our way home from an errand to the corner shop, Jock and I encountered a big, nasty looking dog that we had never seen around the neighbourhood before. He was the kind of dog that makes you nervous from the get go, and I could tell that Jock didn’t like the cut of this bugger’s clothes any more than I did.

They immediately began that circling, probing dance that dogs do when they first meet each other; backs tight and noses buried in each other’s resumes. I have always wondered what it is that they are looking for back there? What constitutes the difference between those times when you jam your nose in a stranger’s backside and become his best friend, versus those times when you both partake in this mutual examination, only to decide that you are deadly enemies?

Well, this particular tension-tango ended up being one of the “Let’s be enemies!” times. These blokes each saw something in the other’s philosophy that they simply could not abide…. and boy, IT WAS ON!

Where one second earlier there were two separate dogs, there was now only a writhing, biting, snarling tangle. A boiling dust cloud out from which flailed more paws, teeth and tails than seemed possible, like a fight in an animated cartoon. Except that this particular cartoon fight wasn’t making me laugh. These two dogs were really going at it, and I am sad to say that dear Jock wasn’t getting the best of the exchange of violence. He was battling every bit as fiercely as the bigger bloke, but was no match for his size.

The sound of a full blown, mutual-hate, no holds barred dog-fight is terrifying to begin with, but more so when one of the dogs is your best mate and worse still when he is the smaller of the two and getting a punishing.

Terrified that Jock would be killed, I was screaming and bawling and beside myself within seconds of this savagery getting under way. I dropped Mum’s shopping, picked up a stick and tried to get in there and hit the big bloke a couple of whacks, but this brawl was thrashing all over the place like a savage whirligig of fangs, fur and saliva.

Suddenly, Jock broke free of the melee and shot off like a rocket down the block, with the nasty big stranger in deadly pursuit. I took off after them as fast as my little-boy legs could go, but the dogs moved so fast that they had both disappeared around a corner before I had barely gone a few feet.

That run to the corner seemed to take forever; I simply could NOT get there fast enough. I was in a panic that the big bloke with his longer legs would catch up to Jock in no time. Sure enough, the most heart-wrenching howls came from the direction I last saw them go. I had felt physically inadequate many a time before, at school sporting events, but never wished harder for the power to run faster, than on this occasion. With hot tears streaming down my face I ran toward what was now a blood-curdling noise, an absolute cacophony of canine screams, yelps and whines.

The pitch of the terrifying sound that I was following then changed, it became more urgent, and louder. I suddenly realised that it was coming back in my direction rather than receding, as it had been before.

When I was almost at the intersection that I had been aiming for, the nasty big stranger came bolting around corner heading straight at me, and then right past me, howling and yowling, because hot on his heels were JOCK AND ALL HIS CREW!

Hah, Hah! I couldn’t believe it!

Take that, you nasty bastard! Oh yes, it was pure triumph, I tell you. The best thing I ever saw in my short life up to that time… and even amongst all the amazing things I have seen in the many years since, not much has topped it.

Have you ever gone from feeling the absolute worst you ever felt, to the best feeling of your whole life in the space of a few seconds? From the depths of despair to absolute elation; that was the dramatic surge of joyous emotion that lifted me up and carried me along, as I saw that evil big bugger chased into the distance by a vengeful mob of little dogs, led by my mate Jock!

As was the case before, the chase was very quickly beyond my line of sight, so all I had to go by was the howling, yowling sound-effects in the distance, but my knowledge that THIS time it was the baddie who was copping a drubbing made those once-horrible shrieks and howls now sound like sweet music to my ears. I hurried along after the sound as best I could and tried to imagine what may have been going on up there… It was the soundtrack to a swashbuckling pirate movie, starring an all dog cast. I was a little disappointed to be missing out on the climactic battle scene of this epic, but any anxiety for the safety of my little, furry, black-and-white mate was now completely gone.

I went back and found Mum’s shopping that I had earlier abandoned and sat on the curb and waited for Jock to come back. I thought on what a wiley old campaigner Jock was, to have led that gullible big buffoon into the trap he had so carefully laid for him.

Hah, hah! Who did that dumb punk think he was messing with? Didn’t he know whose stomping grounds he had trespassed upon? Well, he was getting some hard schooling on what-was-what at the moment, by God, so he was!

After a time, the hero of the day reappeared and accepted all my heartiest congratulations on his magnificent performance.

To my great surprise, I saw that he hadn’t been seriously wounded in the initial set-to with the bigger bloke. I considered the possibility that Jock had only been play-acting at losing the earlier brawl in order to trick that nasty bugger into running into an even worse walloping from his whole crew. Could it be? Ho, ho!

As we went home together, I decided that old Jock had just wanted to share amongst his friends the opportunity of thumping this interloper… I had always suspected that when Jock wasn’t playing the role of “pet” at our house, he was secretly a tough guy in the canine community, and now I was absolutely sure of it.

I remember very well trying to convey to the rest of the family over dinner that night, that in the time it took for Jock and me to go buy some milk and bread at the corner shop, Jock was the triumphant hero in an absolutely epic battle that ran the entire gamut of emotions, both human and canine. But even at the time, I was aware that I hadn’t done Jock’s story full justice when I told it on that particular night.

I hope I did a better job of it this time.

Mrs. Emma Peel

When I was a child, my Grandma let me stay up past my normal bedtime when she baby-sat me one night. I saw an episode of THE AVENGERS, and fell in love with EMMA PEEL. I was absolutely fascinated by this pretty lady, clad in catsuits and leather, who bashed the bone-marrow out of all the bad-guys. I had never seen anybody like her before and I couldn’t take my eyes off her when she was on-screen. Emma Peel was my first ever crush, many years before I was old enough to have any idea of what a crush even was.

Supposedly, I made a huge fuss on subsequent nights when my standard bedtime was enforced and I wasn’t allowed to see Mrs Peel kicking arse any more. Grandma tried to make amends by helping me write a letter, asking Emma to put her TV show on earlier, before my bedtime. I doubt very much that the letter was ever sent… but a few years later I was old enough to stay up late and watch the re-runs, anyway.

I recently bought some DVDs of this 1960s TV series, starring Patrick Macnee and Diana Rigg. It is a snap-shot of that time when everything coming out of Britain was automatically seen as being cool. The Avengers still plays well today, if partly undermined by other shows that have come along since, including many that THIS show inspired in the first place.

The martial arts fights that I had remembered as being so exciting, when I was a child, are hopelessly naff by today’s standards. We are now accustomed to seeing well choreographed action, and women in fight sequences aren’t a novelty any more, either; television has a different battle-babe for each night of the week. That wasn’t the case when Emma Peel hit the screen for the first time; she was a revolutionary character.

Though her “Karate Chop” style of fighting may look cheesy to some modern viewers, the character herself is every bit as charming as had I remembered. Even 40 years after Emma Peel first appeared on TV, there aren’t many characters to match her easy confidence, strength, book smarts, wry humour and sense of style.

The playfully platonic relationship between Emma Peel and John Steed holds up particularly well. It is still unusual, even today, for a man and a woman to have a long running screen partnership that doesn’t inevitably end in a romantic entanglement.

I should also mention that Emma Peel, as played by the incomparable Diana Rigg, is every bit as beautiful as I had remembered her, maybe even moreso.

What’s My Motivation?

I’ve been having some trouble with my mental focus these past few weeks. This a common problem when working on my own projects but it rarely comes up when working for “the man.” I am very productive when working for for someone else but when working for myself, I guess I just don’t respect the boss.

When I need some creative Viagra, I usually just look at great artwork on the internet but that backfired on me this time. There is so much fabulous work out there that it leaves me feeling strangely inadequate! Inspiration can be a double-edged sword when it makes me want to throw out everything I’ve done.

Mind you, I am quite capable of chasing my tail without any outside distractions. My personal form of mental blockage is usually a case of having a lot of ideas and not knowing which one to use. I’ve heard this called “analysis paralysis” but I prefer the term “IDEA-rhea”. Too many ideas is as bad as none, sometimes.

Convincing myself that what I am making is even worth the effort can be a strange mental game. I’ll draw something I’m very happy with and then after a break for lunch, I come back and hate it. The reverse happens as well; I stumble upon some scribbles I did a day ago and have no idea why I threw them away. With me, that ridiculous internal chit chat can go ad infinitum… I know that all of this is a tempest in a tea cup but when the tea cup is my skull, the tempest can be exhausting none the less.

The artists who I really admire have, in addition to good drawing skills and original ideas, the ability to focus themselves and produce. Self-discipline is an invaluable quality in anyone but it really is essential for people creating things, especially when doing the creation solo…

OK, that’s enough of my whining; gotta go do some drawings. They don’t throw themselves away, you know!

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