Doggy Workout
This picture was done before I had ever used Photoshop, so the textures were cut out of magazines and glued over a pencil drawing. The line-art is on the paper and on a celluloid overlay. The idea of combining photo-textures with hand drawn animation appealed to me but I could never get anybody else to go for it, despite pitching it on several different projects. This image was a style-proposal for a “healthy dog food” commercial.

Speaking of dogs, I am now working on a MINI COMIC about the dog I got when I was 7 years old. The basis for the tale is a story I had written down a few months ago but didn’t post here because it was too long for a blog post… but just the right length for a MINI-comic.
A mini seemed to be a good excuse to do things differently. So far, I have done the whole thing digitally, all drawn on my 15 inch Cintiq. This has allowed me to play around with ALL the elements - text line and tone - at a much earlier stage of the process than I am used to and I’m enjoying that flexibility. This the first time that I have made a comic this way and it was inspired by watching Ted Mathot working digitally on his Rose and Isabel epic.
The mini will be in landscape format and about half the size of the comics I normally do, at 4.25 X 6.5 inches. Because of the “wide-screen” dimensions, the fact that there is only one panel per page, and proportionally more text, the mini is looking more like a tiny children’s picture book than a standard comic book.
Apart from trying to get away from the clutter of my typical page layouts (which are really jammed with panels) my goal is to draw this one looser than the comics I have made before, but hopefully still have some appealing “drawing” in there. I had in mind the typical level of finish of the storyboards I do professionally, which can be rather scribbly at times.
Depending on how fast I draw, the mini will be either 32 or 36 pages and will be printed at KINKOs or some other copy shop. I will probably make about 100 or so to sell at COMIC-CON.


Recently there were ELEPHANTS IN THE NEWS book launches in both hemispheres, North and South. Dad launched the Elephant book (plus
Even though I was running the table solo, I was far from lonely. At one point on Saturday a fellow, who I had never even laid eyes on before, came up to my table earnestly chewing away at a bowl of candy. After a pause, to swallow whatever tasty treat was in the bowl, he demanded a FREE HUG. When I told him that there may be someplace at APE where he could get himself a hug, but my table certainly wasn’t the place, he went away, with a confused look on his face, still chewing on his candy. A few minutes later he gave ME something to chew on when he returned holding the official APE handbook, opened to the Exhibitors page, and pointed to the listing for our table. It said “Abismo/Nerve Bomb, events: FREE HUGS. NO PURCHASE NECESSARY.” Well, this was news to me as I had not filled out the paperwork myself for this particular convention. Rhode and I take turns on that… and this year it was HIS turn.
Without a table-partner, I had to be strategic with my breaks and I didn’t have the chance to walk around and do any shopping. Thankfully, some great books were brought right to me as I sat there.
Blair Kitchen hooked me up with the first two issues of his hilarious goofy-hero comic, 








