Jan 122012
 

REVOLVER (directed by Jonas Odell, Stig Bergqvist, Marti Ekstrand and Lars Ohlson) is one of my favourite animated shorts ever. I first saw this film at a festival in the early 1990s and I was mesmerized immediately. (Seeing it projected in a theatre is definitely the right way to go). “Cyclical” is the only way to describe the structure and the end result is evocative, poetic and haunting, at least to me.

I had a copy on VHS which went missing (permanently borrowed, is my guess). So years later, when in Sweden, I made a trip to Film Tecknarna to buy the copy I have now. I was hoping to meet the filmmakers themselves but that did not happen, sadly.

I have never been able to figure out why some non-linear films films are tantalising in their ambiguity but other, similar films are merely vague and annoying. Perhaps the difference is when there is an underlying structure, with its own internal logic that appeals aesthetically in some way to the mind? I remember reading somewhere that the film-makers were interested in making a film with the same approach to repetition as a piece of music (and the soundtrack is great too).

Put your headphones on, give it your full attention and allow yourself to be hypnotised.

Nov 092009
 

Halloween is perhaps my favourite American holiday. Some of my earliest happy impressions of America were in seeing the cities of New York and San Francisco throwing themselves into this tradition with gusto. The spectacle of Werewolves, Popes, and Cowgirls… Zombies, Witches and Animals of all ages, shapes and sizes, out en masse, walking the streets, or riding buses and trains, was new to me and I liked it. Although Halloween has been become popular over the past decade or so in Australia, I don’t remember ever celebrating it in my childhood. The closest equivalent was “Black Friday” parties, which were SOMETIMES held when a Friday fell on the 13th. But, to me, the eclectic costumes of Halloween make for much more fun. Unfortunately, as much as I enjoy an entire nation being silly for a day (and my part in that group therapy) I was a no-show at Halloween this year, due to the recurrence of an illness that had stalked me off-and-on all throughout the month of October.

Thankfully, I had my chance to act the clown exactly one weekend later, when JEFF and ANITA hosted a viewing of STAR WARS (the un-updated version that I grew up with) over dinner at their house. JULIA had the genius idea that two of us might surprise the others by attending in Star Wars themed outfits and I liked this suggestion so much that I didn’t need to hear it twice. It turns out that the week AFTER Halloween isn’t a bad time to buy costumes, for although the stocks are severely depleted by the buying-frenzy of the week before, the prices on what remains are dramatically slashed. Thus, a child-sized Darth Vader helmet and cape were acquired at a bargain price, not to mention the cheapest, shittiest Light Sabre that money could buy. So, with the addition of hastily made cardboard boots, cardboard chest plate, cardboard shoulder pads and cardboard codpiece, the mighty CARD VADER was born. And standing by his side, wearing discounted plastic go-go boots and too-small wig, was PRINCESS LAY-AWAY.

In order NOT to change into these splendid ensembles AT JEFF and ANITA’s place (which would have ruined the pageantry of our “entrance”) we got into costume in the bathrooms of a nearby mall, necessitating a stroll through the mall in full geeky regalia, past the stares of Joe and Jane public, and back to the parking garage. After a short drive, we found the correct address and the PRINCESS had to ring the door bell as The DORK LORD couldn’t see well enough out of his eye-holes to push the button himself. Standing on the doorstep in all our splendid idiotic finery, we had time to ask ourselves if we were doing the right thing? Or were we about to make prize-arses of ourselves? ELAINE’s reaction, when she opened the door made it clear that we were doing BOTH. When someone tells you that you have just made them laugh so hard that they almost peed themselves, then making an idiot of yourself has been worth the effort… Well, that the philosophy that I live MY life by, anyway…

No sooner had CARD VADER gained entry into JEFF and ANITA’s Rebel-Base, than he made the mistake of brandishing his cheap TARGET Light Sabre… In response, JEFF unsheathed his pricey SPECIAL EDITION version; you know, the FANCY one that looks “real”, powers up all sexy-like and makes the proper noises and everything. The DORK LORD forgot who he was messing with there for a moment, but was soon shown the error of his judgement in a clash of sabres (one of them glowing and making movie-quality sound effects, the other doing nothing impressive at all) that subsequently played out in JEFF and ANITA’s dining room.. TED and ANITA were on hand to document this epic struggle with a series of photos that records the intensity that JEFF brought to the defence of his domain from an invading, pin-headed Sith. And no wonder: JEFF and ANITA’s place is a veritable Guggenheim Museum of tasty pop culture riches; beautiful original artwork and gorgeous collectible toys are on display everywhere that you look. JEFF was right to defend all this hard won bounty with such passion… and verily, the FORCE was with him that night.

Once the laughter had died down and the sabres were sheathed, we all dined on super-tasty SLOPPY JOES, which was a first for me (where I’m from, the term “sloppy Joe” is a type of sweatshirt) plus a mighty fine Macaroni and Cheese, with a secret ingredient that pushed it to the next level. The tastiness of the food proved that the FORCE was clearly with ANITA in her kitchen that night, every bit as much as it had earlier been with JEFF at his threshold. Dessert was a stack of rice crispy balls, provided by ELAINE, that were immediately named “CRISPY DEATH STARS”. The similarity in appearance between her home-made dessert and the famous Star Wars Battle Station was an absolute coincidence, as ELAINE is one of those rare people of my generation who has somehow managed to avoid seeing STAR WARS her entire life. In fact, remedying that omission was the reason the whole STAR WARS NIGHT was held at all. And so, after the eating was done with, we trooped upstairs to the TV room to watch the movie. Though firstly, JEFF had us watch an episode from a 1940s FLASH GORDON serial, by way of setting context for the pulp serial tradition that begat Star Wars in the first place.

It has been years since I watched this version of Star Wars, rather than the new-fangled version, with all the CG shots jammed in there, and re-edited to change “who shot first” and all of that…. and it really was a lot of fun to see it again… Despite being more aware now of its filmic shortcomings than I ever was as a child, I still felt that this movie held up rather well as a piece of ground-breaking yet timeless, pure-fun entertainment, with perhaps only the HAIR dating it as being from the mid 1970s. Seeing the film again has had me in mind, over the past few days, of the first time that I saw it when I was 13 years old and had my tiny mind thoroughly blown… and the subsequent the expansion of my imagination which came as a result; the days of staring out the window and dreaming, afternoons of doodling space ships and looking at sci-fi books. Given this sort of reaction, it is always hard to know just how much of the positive response in re-visiting old childhood favourites is due to the merits of the pieces themselves and how much is merely nostalgia, and attachment to the effect that certain films (or books, record albums or whatever) once had upon us…

However, on this occasion, something of an empirical test-case was provided by the fact that we had one amongst us who had never seen the movie before and was now watching the film entirely through the eyes of an adult rather than eyes squinting through lenses fogged by childhood memory. Not only was she able to spot the legacy of influence on films that have come along since, but she also stated that watching Star Wars was entertaining for her as well. While it was gratifying, on that evening, to hear that ELAINE liked this childhood favourite too, it occurs to me now that perhaps she only gave it a THUMBS UP to keep a room full of nerds from bursting into tears if she had said otherwise.

After all, when a middle aged man in a home-made, cardboard Darth Vader suit leans forward eagerly to ask if you have just enjoyed seeing Star Wars for the first time… well, what ELSE is a girl supposed to say?

Apr 292009
 

Last weekend, I was back in the Bay Area for a preview screening of UP, the 10th feature film from Pixar. The studio always puts on a good show at their WRAP PARTIES and it is a delight to see co-workers aglow in the joy of watching what they have worked so hard to make, while partying in fancy finery; evening gowns and tuxedos, even top hats and tails.

The film is fantastic, and watching it was extra fun for me because a good amount of my work actually made it into the final film; not always the case when you work only at the very beginning of the process, which was the case for me here. I am philosophical about having most (if not all) of my work cut out of projects because, after all, that exploration and opportunity to revise is what storyboarding is all about. So it was a special treat to see a lot of my work in the film. I very much enjoyed the working on this project with a crew that was full of gracious people, all the way UP to the directors themselves. However, all those good vibes didn’t make it a cake walk; I worked harder on this film than any other!

:)

The most gratifying part of it all is to see the finished film. It came out wonderfully. This film has a blend of madcap silliness and yet emotional realism that is difficult to strike, but one of the things I most enjoyed about it. I have never seen a story like this before and I think it is one of the best that Pixar has ever done (though I clearly have my own bias on that score) but I can state with absolute conviction that it is certainly my favourite film that I have worked on thus far. I hope that you all like it too. It opens everywhere on May 29th.

Jan 142009
 

I have been working here in Portland, off and on for the past few months, and on Monday evening I was lucky enough to attend an early screening of the forthcoming new film from LAIKA studios; Henry Selick‘s CORALINE, which is a retelling of the book by Neil Gaiman. I had nothing whatsoever to do with the production of the film; I just happen to be working at LAIKA at the moment, so it was strictly a case of being in the right place at the right time.


My my my, what a treat it was. I think that this is an absolutely fantastic movie.

It is a wonderful debut film for a new animation studio because it absolutely requires that you take it on its own terms. It isn’t a Pixar wannabe, a Disney wannabe or a Dreamworks wannabe… Other new studios have made the copycat mistake with their first forays into animation, but this film asserts itself, and Laika, as its own thing. Coraline is strange, creepy and beautiful in a way that you wont see in other big budget animation. Some of the character designs alone would never even have gotten off of the drawing board at other big studios I have worked at. For the first few minutes, I was instinctively comparing the film to the “template” that is used for these things; the opening sequence, the pacing, the inciting incidents and all of that stuff… but after a while, when I realised that Coraline was going about it in her own way, I stopped comparing, and let the film be what it is…

Before the screening, I knew next to nothing about either the film or the book, except the basic premise; a variation on a “through the looking glass” story, where a young girl finds an alternate version of her life beyond a doorway in her family’s new home. There seem to be many such stories in English children’s books (The Lion the Witch and the Wardrobe, Alice in Wonderland, The Golden Compass and so on…) but in this version, the setting is the Pacific Northwest, where the film was made. Recognising a stop-motion, cartoon version of misty Oregon, where I am working now, was one of the many pleasures of seeing the film for me.

Of course, knowing very little about a movie is the best possible way to view it for the first time; absolutely expectation free. Because of that fact, I am loathe to laud this one too much for fear of over-selling it and spoiling the experience for others… and there are surely aspects of the film that may not appeal to everyone… even though they appeal to me… let’s just say that I strongly urge fans of animation, fairytales, or gothic children’s literature to see this creepy, magical wonder. I also encourage you to make the effort to see this film in 3D, which works spectacularly well in the stop motion environments.

As an extra treat for those of you who work in the Bay Area animation biz (especially ex SKELLINGTON, PIXAR folk) keep your eyes open for a quick stop-mo ANIMATED cameo of two notables from the Bay Area animation community, very early in the story.

The film opens everywhere on February 6th and I encourage everyone to see it; it isn’t like any other animated film you will see soon. It has a pacing, rhythm, tone, style and look unlike most anything else that you’ll find out there. While it has something in common with Henry Sellick’s earlier films it is even different from those too. I hope this film does big enough numbers at the box office so that more films like it can be made in future.

Jun 182008
 

A few years ago I was given the chance to design my version of a certain martial arts bear that is currently entertaining audiences in movie theatres across the land. The job was only for two or three days, just until the creative team came to their senses and used the supernaturally talented designer who was already working at that studio (there is a certain sense of satisfaction in knowing that my lameness was instrumental in pushing them in the right direction). In the short time available, I only got as far as a few pages of scribbles, but this Big Baby version is one of my favourites of the several variations I came up with.

If you haven’t seen this movie yet, by all means hurry out and see it soon. I think that it is one of the best animated movies in years. It is gorgeous to look at and beautifully animated with some of the best action sequences I’ve seen in any movie lately; fast paced, kinetic and cutty without ever being confusing… The story is funny without being flippant or snide, or drenched in pop-culture wise-ass-ery. Plus, it really delivers some pure, sweet moments that aren’t saccharine, which is one of the hardest things to do in any movie.

Jun 052008
 

I have been doing a lot of travelling around lately; I was working in Portland for a few weeks and then flew to the East Coast to spend a week with my brother and his family at their new home in Virginia. Then, before coming back to Portland, I made a quick trip to San Francisco to attend the wrap party for Pixar’s latest movie, WALL-E.

This is definitely one of the most ambitious pictures that Pixar has ever made. Seeing Pixar’s version of sci-fi is a lot of fun (I have always had a soft spot for cartoon science fiction, such as DUCK DODGERS). A lot of people are going to fall in love with the main character of this film. Thanks to some great design and some superb animation, that rusty robot is a very, very appealing little guy on screen. I worked on WALL-E a few years ago, doing a little work in the art department, followed by a short stint in the story team. And yet, it has been so long since I had seen any of the story reels that there had been quite a few changes to the story, so I had some surprises in watching the film. Being able to watch a movie that you’ve worked on with more-or-less fresh eyes is a treat.

The big surprise for me was seeing PRESTO, the new Pixar short directed by Doug Sweetland. I had heard nothing at all about what this project was about, although I knew that it was being made, and that some great talents (such as Doug Sweetland, Teddy Newton and the mighty Ted Mathot) were working on it. Because I knew nothing at all about it, it was a real joy to watch. It has a great premise that is beautifully designed, full of clever ideas, involving some really funny, broad physical comedy… all brought to life with whip-crack animation timing and great posing. It is probably my favourite Pixar short, so far. I wont say anything more, lest I spoil the fun for the rest of you.

May 192008
 

This picture shows the partnership between one of my all-time favourite human beings, Mr John Stevenson, and PO, a character designed by one of my all-time favourite artists, Nicolas Marlet. As I write this, John is currently wowing them in Cannes with his new movie, KUNG FU PANDA, which he directed (alongside John Osborne).

The look of the movie is based on the ever-elegant animal designs of Nicolas Marlet. Although he is very highly regarded by all who have ever worked with him and seen his drawings in person, it can be very hard to find samples of his work. The ART OF KUNG FU PANDA book will be a pretty good consolation prize for all of Nico’s many fans, who have been waiting in vain for him to start a blog or website, and it will certainly be on the must-have list of many artists in the animation community.

Kung Fu Panda is one of the movies that I am most looking forward to seeing this year, and that is really saying something, because 2008 is shaping up to be one of the best cinematic years to be a nerd. The last time I went to the movies (to see Ironman) there were an almost overwhelming number of trailers (or coming-soon posters in the lobby) for movies coming out this year, all of which built-in have nerd-appeal. Starting with Ironman, the nerd-friendly film roster continues with Speed Racer, Narnia, Indiana Jones, Kung Fu Panda, The Happening, The Incredible Hulk, Get Smart, Wall-E, Wanted, Hancock, Hellboy, The Dark Knight, The X-Files, The Mummy and Tropic Thunder. I am not interested in ALL of those films but I am certainly looking forward to quite a few of them.

And even if most of them suck then we movie-nerds will have even MORE stuff to complain about (which is almost more fun than actually liking stuff). Verily we live in the Golden Age of being a nerd.