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Yee-HAW!!


Even though it is about a very grim subject, the hunting and poaching of elephants, this is one of my favourite illustrations that I did for the book, mainly because of the colours. Choosing a colour palette is something that I always wrestle with, but in this case I was rather happy with the way that the limited palette came out.

It remains to be seen whether it will reproduce in print the same way it looks on my monitor… but I should find out soon enough; I am expecting to see some advance copies in of the printed book sometime in February.

Booze-fest

This picture was made with assorted photo textures and illustrates a story about elephants being sedated with ALCOHOL when they are transported in certain countries.


Speaking of BOOZE, 2006 has come and gone and along with it my least favourite holiday of all. Some people express frustration with the pressures of Valentine’s Day and Christmas, I even know one reactionary curmudgeon who dislikes Halloween, but for me NEW YEAR’S EVE is the holiday I most like to dislike.

Other holidays are criticised for the rampant materialism and crass marketing that accompanies them, but at least most have some idea at their core but I can relate to. But boozing up and hitting the town so as to have your tongue down the throat of a drunken stranger at the stroke of Midnight just isn’t a worthy goal…

…besides which, how come it never happens for me? Boo Hoo…

I have tried to get into the spirit of the occasion and gone off to wherever you have to go to get boozed up, and watch the fireworks displays… I’ve put on the fancy clothes and shelled out the money for a posh “New Years Eve bash” a few times, but despite the fanciness and high expectations I’ve always ended up being stranded with hundreds of booze-addled people trudging over broken Champagne bottles and fighting for taxis at 3 am.

The times that I have enjoyed New Year’s Eve have been those that I have spent with a few close friends who turned their backs on the madness and did something else. Like a dinner party. One time I even saw in the New Year while sitting by a campfire under the stars when camping in Death Valley. I liked those particular New Years Eves because they were a bit more reflective. If the traditions were different, New Years Eve COULD be a moment to pause and reflect on the past, present and future… but all that often gets obscured by booze, belligerence and broken glass…

Anyway, I have been engaged in a bit of reflection of my own recently, and not just over the events of this last year I’ve also thinking about events from many years before, as I continue to sift and sort and scan my photo collection. There are already 3 galleries online and I should have another up soon.

Happy New Year, everyone!

Captivity

I hope that you all had a very happy-merry Kwanz-ukkah-mass! Here is another image from the Elephant book; the title illustration for the chapter on “Captivity.”

2006: The year in review
Highlights
Securing the TRADE MARK for Rocket rabbit put an end to someone else’s attempt to take that name. Cease and desist!

The Civil War road-trip around Maryland and Virginia in the company of my Dad and my Brother Jo was another high point of this past year.

Puting the finishing touches on ELEPHANTS IN THE NEWS the book collaboration with my Dad gave me a great sense of achievement. I also learned a lot about Photoshop!

Lowpoints
Having my laptop snatched and the ensuing chase was about the most stressful thing I have been through in recent years!

When Animals Attack!

The book contains many many stories of humans giving elephants a hard time, and also quite a few tales of elephants giving as good as they get and hitting back at “the man.” Here is an illustration for one of THOSE particular stories.

That’s Showbiz…

Due to some unforeseen shenanigans, I am not really in the mood for writing much today. But “the show must go on” so here, at least, is another picture from the book.

Elephants in the News

These pics show the “looser” approach I used in the last week or two… These more scribbly elephants will be spread throughout the book so hopefully they wont come across as a jarring style-change.

While I wait for the FINAL proof let me tell you a bit about the Elephant book and how it came to be.

My Dad has written LIMERICKS for years and he has always expressed a fondness for elephants. (I remember his office at work had a few elephanty knick knacks about the place, including something I was fascinated by as a child; a cartoony cardboard elephant head mounted on the wall like a trophy). So, his co-workers started clipping news stories for him about elephants, in response to which he amused them by composing LIMERICKS about the elephants in the news.

Over the course of a year or two he amassed quite a few of these and a co-worker (named Ada Cheung) suggested he compile them into a little book. It was also thought that his cartoonist son might do a few illustrations. I am ashamed to tell you how long ago it was that I agreed to do the pictures… it was more than just a few years ago. I have a hard time keeping more than one project in my mind at a time, so the elephant book often took a backseat to my paying work and my comics. Dad often joked that, at the rate I was getting the art done, the book would be a posthumous publication in his case. However, I was able to get about 14 or so done in full colour and then I made a rough mock-up of the book which I sent my Dad for his birthday year before last.

At this point the intention was to self publish. The book is not exactly kid-friendly because so many of the stories deal with Sex and Death; rampaging elephants, crushed zoo-keepers, failed breeding attempts, elephant poaching, artists using Dung in their artwork and so on. I always thought the book to be a bit too idiosyncratic for a big publisher.

Now comes the really amazing part: Early in 2005, Dad was in the Australian country town of Wollombi (where his sister, my Aunty Marg lives) defending his TRIVIA NIGHT TITLE; a BAKER family team are (or were at the time of this story) the reigning TRIVIA NITE CHAMPIONS at the Wollombi pub. While there, Dad met an ACTUAL publisher who offered to publish the Elephant book when he saw the mock-up I had made… And unlike our self-published version, he wanted to do it in full colour!

Here’s me living on the west coast of the USA, supposedly one of the main centers of the media universe, with some connections in at least one branch of “the media”, yet I had Buckley’s chance of getting this thing properly published. So I had resolved to just do a simple version on my own. Meanwhile, my Dad wrangles a book deal on trivia nite at the Wollombi pub!

I love it!!

It took a while to get the contracts sorted out but while that was going on, the editor and I were still working on the book. She expanded it from the 64 pages that Dad and I had envisaged, which required even more illustrations, and I hadn’t yet finished the initial batch I had planned to do. After I finally roughed out the remaining illustrations in pencil, the designer, then used these to layout the book. That layout came in handy when I was finishing the artwork as I knew where the text had to go.

As to the current form of the book; It will be 128 pages in full colour and it is smallish, about 7×6.5 inches. At last count there are about 60 full colour illustrations and a few of those are double page spreads. The text consists of two things; the series of elephant news clippings Dad has saved over the years, and a limerick he has written inspired by each story. It will be published by EXISLE PRESS. The publisher is Gareth St John Thomas, the editor is Anouska Jones, and the designer is Nanette Backhouse.

The book should come out in Australia next April/May so keep yer eyes peeled. It will be entitled “Elephants in the News: Pachyderms in limerick”.

Back to WORK!


I just saw the proof and it looks super! However my work isn’t over yet; after consulting with the designer I have a few more days to bang out some MORE illustrations to fill some gaps in the layout. It is designed to be a 128 page book which is about 62 page spreads. So far I have illustrations for 42 of those spreads which still leaves quite a few spreads with only text. I am going to try to fill up some of those ART gaps with little spot illustrations, doodles and random stuff. These will be a lot looser than the other illustrations and in some cases I may just slap some colour over preperatory thumbnail sketches I already have.

OK, back to the drawing board!

On the Rampage


The Elephant book has quite a few double page spreads and, like this one, they all have some space on the facing page where the text will go. I’ve already posted some of them here, but up till now I’ve cropped them to remove the “dead space” but this one doesn’t work so well without that shadow, so it accurately shows the proportions of what a two-page spread will look like. Maybe after the book comes out I will post some high-res versions of them which people could use as desktop images.

This is one of about 6 illustrations in the book where I used photo textures. The skin on the elephant’s foot is actually from a photo of an elephant, there is some fabric texture in the hunter’s outfit (though it is a bit too subtle to see here) the hunter’s skin texture is from a close-up photo of spotty terracotta and the ground is also from a photograph of cracked mud, though in all cases I had to manipulate and extend the photo material. It was actually pretty fiddly to get it to work.

I had so many pictures to do of pretty much the same subject matter, that I had promised myself at the outset to try as many different techniques as I could, to keep it interesting for me and, hopefully, for the reader. My only regret in that reguard is that I didn’t get to do any analog paintings. I had initially planned to paint a few of the pics in gouache and acrylic but I ran out of time (I am a slow and fiddly painter) but I did at least get to use some painterly textures I made as backdrops for some of the illustrations. There are a couple of illustrations that I did finish analog; in colour pencil. I will post those later.

This is also one of the very few pics in the book that was totally generated digitally. I had drawn a very scratchy thumbnail drawing for the composition but none of it is in the final art. In most other cases the illustration is built around some sort of analog drawing.

A Mad Dash

This pic illustrates the true story of “Clarissa” an elephant being used for a publicity stunt in downtown Madrid, until she ran away and caused chaos during the morning rush hour.
I have been involved in a mad-dash of my own in the last week; getting all the artwork done and uploaded to the book-designer’s FTP. I am happy to report that I am finally finished with all the artwork for “Elephants in the News”. I should see a proof in a week or two and then the book goes to the printer at the end of November

All in all there are 42 full colour illustrations, 25 of those are full page, 13 are double-page spreads and 4 are partial spreads (going half way past the gutter onto the facing page). As of September 1st 2006, I had 14 full colour illustrations already done but only 5 of these were absolutely ready to go, because the rest had to be modified to fit the new design. The other 28 pics were already roughed out in pencil, which the designer had used to lay out the book. It was handy to have her book layout with me as I worked because I was able to clean up the illustrations knowing where the type was supposed to go.

So… between September 1st-October 25th I did 28 full page colour illustrations (from my roughs) and re-worked 9 of the old illustrations. I think that works out to finishing one illustration every two two days… or maybe even faster.

Now that it is all finished, I am looking forward to getting back to a more regular lifestyle; sleeping, watching TV, doing some bathing once in a while. Also, not eating corn flakes for breakfast and lunch and dinner will be nice…

Almost there…


I should have ALL the illustrations finished today or tomorrow (OK, OK… maybe the next day). In any case I am close to the finish line as far as the illustrations go. Next week there is still a little work to do; reformating some of the older illustrations (extending a few into double page spreads, some cropping and so on) so they work with the new book design that the designer came up with. Her book-design layout looks great, and much more adventurous than I would have ever come up with. If I get all those layout tweaks done quickly I would like to revisit a few of the pics to fix a thing or two.

A cartoonist’s work is never done…

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