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HOW d’you digeriDOO?

A British player of the digeridoo (AKA: “the didge,” the didjeridu, and a million other spellings) who is also a researcher at Leeds University, has used the ancient Australian Aboriginal instrument as a means of communicating with Elephants at frequencies below that of human hearing.


He has tested the idea at British zoos, using a specially built sub-sonic version of the didgeridoo. The goal is to eventually use the instrument to warn Elephants away from crops and areas inhabited by humans, in parts of the world where the meeting of human and elephant traditionally leads to one or the other getting hurt.

The rough sketch for this illustration was posted here almost a year ago.

Unforgetable Memoirs

In a recent panic that my memory is failing as I grow older, I have been writing my memories down before they all fade away. Surprisingly, this has been an enjoyable exercise, as more and more of my childhood shenanigans have come back to me while writing others down. I certainly don’t have any plans to write a full memoir, but after dredging up my own memories, attempting to put them in some kind of order and render them with as much honest detail as I can muster, I’ve come to wonder how people DO write memoirs that include quoted conversations, like scenes from a movie. None of my memories (including those from last week) are so crisp as that, and there are startling gaps in the continuity. Sometimes I can piece together a timeline, when memories can be crosschecked with documentary evidence. Mostly however, I don’t have anything to moor my memories to, and they are floating around inside my head like slowly deflating balloons…

While pondering this mystery, I was inspired to track down the autobiographies of CLIVE JAMES, which I’d not read in 15 years or more but remembered as being the most entertaining autobiographies that I had ever read. He is perhaps not so well known in the USA, because his books were hard to find, so I ordered them from the UK where almost anyone could attest to the wit of Clive James. He first made a name for himself there as a television critic, but later he became a TV presenter himself, on a show called CLIVE JAMES ON TELEVISION, where he presented television clips from from around the world, famously including ENDURANCE, the hilariously punishing Japanese TV game show. (Our own “reality TV” shows now feature the worm-eating capers the Japanese were amusing westerners with 25 years ago. So who’s laughing now?) But the entertainment in his show wasn’t only from clips of Turkish soap operas or whacky game shows, it mainly came from Clive James’ eclectic tastes in popular culture and his particular style of witty critical commentary.

My first exposure to him was in the early 1980s when I read the first of his autobiographies, which had been recommended by my Dad. (He was born the same year as Clive James, so their experiences of growing up in Australia in the 1940s and 1950s, then going to university in the UK in the 1960s, were generally similar). The first book, called UNRELIABLE MEMOIRS, chronicles the period from Clive James’ birth up until he was 22 years old, about the age I was when I read it the first time. It is without a doubt one of the funniest books that I have ever read. The paperback version has a review printed on the cover, which warns not to read the book in public in case you embarrass yourself with laughter. This I took as mere “you’ll laugh out loud!” hyperbole, rather than realising it was actually the operating instructions for an extremely volatile device… I disgraced myself a few days later when Clive James’ account of a school gymnastics class caused me to honk like an egg-bound goose while riding a crowded train to work… precisely as warned.

The title “UNRELIABLE MEMOIRS” implies, and his introduction plainly states, that he has embellished the facts in their retelling (so THAT’s the secret!) but whether it’s fiction, non-fiction, or a hybrid of the two, it is ALL a delight to read. Besides, It is hard to know if he really has changed the facts to make them more entertaining, or if he has merely suggested this to put us off the scent of what is actually real, to avoid libel charges… Several other later-to-be-famous people appear in the books, with their names changed but their true identities not disguised, if you know who to look for. Robert Hughes, Bruce Beresford, Germaine Greer, Brett Whitely, Barry Humphries and other over-achievers feature as “supporting characters” in each of his autobiographies. Famous people not only hang-out together after they are famous but also even before they were famous… (This first struck me when reading books by or about Hemingway’s “lost generation” crowd of US expatriates in Paris in the 1920s).

The copy I am reading now is an omnibus version, called ALWAYS UNRELIABLE, and contains the first three volumes; UNRELIABLE MEMOIRS, FALLING TOWARDS ENGLAND and MAY WEEK WAS IN JUNE. One of the pleasures of re-reading these books 15-20 years later is finding resonance in some of what I didn’t “get” before. Initially, I didn’t fully appreciate the 2nd and 3rd books, finding them not so funny as the 1st. This time however, it is those later books that have made me hoot out loud. I just discovered that a fourth memoir, called THE NORTH FACE OF SOHO, was published last year and I look forward to reading it, having refreshed my memory by re-reading the first three.

Clive James is an ungainly-looking man in person, but as a communicator he is like a verbal Gene Kelly or Jackie Chan; graceful, quick, talented, a master at what he does and yet accessible to the rest of us poor slobs. After Jackie Chan busts out some amazing stunt that takes your breath away, he’ll set himself up for a prat-fall that invites you to laugh at him, even though that pratfall was every bit as hard to pull off as the earlier stunt that made you gasp. Likewise, Clive James dazzles with his wit, his handle on language and his education (I confess that I cannot keep up with his vast knowledge of fine art and popular culture) but then he’ll serve up some gags at his own expense, and even those dealing with compromising, vulgar situations, are delivered in sublimely hilarious prose. Some people say that this smart-guy playing-the-goof routine smacks of false-modesty (as if there is any other kind) but I think it is the mark of a great showman and communicator. Like watching Gene Kelly joyfully dancing in the rain, you wish you could do what he does, and part of his genius is that he somehow makes that level of ability inviting, rather than alienating.

For those of you unfamiliar with the man, I suggest you visit the CLIVE JAMES WEBSITE which contains a remarkable amount of his work. Not only essays and poetry but also a series of video conversations he has held with some famous guests. Just eavesdropping on a conversation can be very entertaining if they are the right participants (one of the most entertaining hours of TV that I ever saw was a conversation between CLIVE JAMES and JONATHAN MILLER).

The Elephants’ Graveyard


This is one of the first colour pieces for the Elephant book that I did several years ago. It was in the mock-up that was shown to the publisher and that of course led to the book being picked up by a “proper” publisher rather than being self-published, as I had originally intended.

I had to extend it to fit the new book design dimensions, because the book designer asked me to make this into a double-page spread (I have cropped off most of the facing page here however, because without the text it looks empty otherwise).

Even after having done about 50 more elephant illustrations since I finished this one, it is still one of my favourite pictures in the book.

LOVE DAY!


It is wished for, written about, serenaded and talked of. It inspires some of the best in tree-graffiti, diary-entries, soap-operas and pop-songs, but while commonplace in the popular culture, in real-life LOVE can be very hard to find, and once found it is often accompanied by discussions about “where it is all going” that somehow… make it go.

Hate makes its own way in the world like the bird-flu virus, but LOVE needs our support, people! We must tend to it, and nurture it like a little baby hatchling if we want it to grow into a fine, big, majestically-soaring eagle in the awesome, technicolour sunset!

Wont you do your little part to keep the LOVE alive? Today is International Love Day, so stand up outa your chair, get out there, spread the good vibes, and do some serious LOVING!

Only in the Movies

When I was four, or maybe five years old, My uncle John (who was nine or ten at the time) was showing me around my Grandparents’ place, which was where he lived but not a place that I was yet familiar with. At this stage in the family history I think that my Uncle John (till recently the youngest in the Baker clan) was relishing the fact that there was finally a smaller Baker than him, and another child to play with.

Some people may wonder how it is that my uncle is only a few years older than me and was a childhood playmate. So perhaps I should pause the story to illuminate some of the peculiarities of huge clans, for all you “only-childs” out there.

I am the oldest child of a big family (7 children) but at the time and place that I grew up (rural Australia in the 1970s) big families seemed the norm rather than the exception. It wasn’t until I left my home town and moved to the city to work that I realised that families with less than 4 kids even existed. A feature of huge families is that the oldest child of parents who are themselves oldest children, and started their own parenting young (as was the case with both my parents) may have an Aunt or Uncle who is only a few years older. I have one of each; my Aunty Mary (only four years older than me) on my Mother’s side, and my Uncle John (five years older than me) on my Father’s side. Because of the minimal age difference between us they often felt like my older siblings more than anything else, and some of my earliest memories of playing with other kids were of playing with my Aunt and Uncle.

Once again, I took this for granted in my childhood but have come to learn that it seems hillbilly-esque to people not familiar with the syndrome. So you big city sophisticates can by all means imagine the rest of the story playing out with banjos and fiddles on the soundtrack if you must.

OK, back to the yarn:

One day, in his new role as an older, wiser, and bigger human being, Uncle John showed me how to climb up onto the roof of Pop’s shed. I was a cautious child (perhaps because the memory of my run in with the telegraph pole was still embossed into my consciousness) but somehow, through that powerful combination of encouragement and ridicule that all small boys (and many grown men) use to motivate each-other to do dangerous things, Uncle John got me to climb up on the roof with him. We pottered about for a minute or two until we either got bored or, more likely, till Uncle John realised that we might cop some heat if older members of the clan spotted us up there. Whereupon he nimbly climbed back down.

As I watched him descend, it dawned on me that I was now looking down at the ground from a long way up, perhaps the highest vantage point I had ever achieved until that time, and whatever nerve I had used to scale those heights suddenly failed me in the attempt to get back down. This time however, Uncle John’s encouragement couldn’t budge me and his harangues only reduced me to tears.

When he saw me on the verge of a wholesale hysterical bawling session, Uncle John quickly realised that it was in his own best interests to both calm me down and then get me down, before any grownups spotted tragic little Mr. Trembly-lip up there. It would be obvious to the powers-that-be whose idea the climb had been, and even if this didn’t occur to the inquisition immediately, it was a dead certainty that I would rat him out if I was put to the rack. So, after encouraging me not to bawl out loud, Uncle John promised that he knew a way to get me down safely, and ran inside the house.

Crouching nervously at the edge of the roof awaiting my rescue, I became steadily convinced that Uncle John had abandoned me. After what seemed like forever, he re-appeared from the house and ran back over to the shed, brandishing Grandma’s umbrella. He threw it up to me and suggested that I use it as a parachute, much as Charlie Chaplin or Mary Poppins might do in a film. This struck me as pure genius. We both had complete confidence that this plan would work, I know that I certainly did, anyway. It wasn’t the ambitious vision of taking flight that some children succumb to at a similar age. No, it was the much more believable expectation that I would surely fall, but do so with grace. Why, I should be able to step off the roof and glide gently to earth, touching down nimbly on the tips of my toes!

With that charming vision clear in my mind, and with the greatest of calm, I stood up, popped the umbrella open and confidently stepped out into space…

The umbrella promptly turned inside out, and I plummeted to the ground like a child-shaped stone trailing a black ribbon. I believe that some part of my anatomy was sprained upon its high-velocity contact with the ground, and a piercing yowl ensued, quickly followed by a convergence of angry elder Bakers; precisely the sort of ballyhoo that Uncle John was trying to avoid…

Frankly, that part of the memory is rather a blur to me now, I have no recollection of whether the truth or some artful fabrication was entered into the public record, but the latter would be my guess. All I remember from that point onwards, is the encounter with my old friends; pain and embarrassment, but also something new; the violent disconnect between my absolute faith in what SHOULD happen and what actually DID happen.

This was a brutal lesson in the supremacy of the Laws of Physics over Cartoon Logic for somebody who was to become a cartoonist later in his life.…

Big News

Almost a year ago I posted the sketch that formed the basis for this illustration. The book contains a limerick that references a beauty pageant held each year in Thailand for bigger ladies (to raise money for elephant conservation) known as the MISS JUMBO QUEEN PAGEANT.

The latest news about the ELEPHANT book is that it is finished being printed in China and is now being shipped to Australia for its April release down there. While I was busy finishing the illustrations on this book, my Father actually wrote a SECOND book (about a famous Australian racehorse called PHAR LAP) that will be released at around the same time by the same publisher. I hear that my Dad is already being lined up for radio interviews as part of a double-pronged PR blitz for the two books in Australia and New Zealand.

More news as it comes to hand!



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