Due to some unforeseen shenanigans, I am not really in the mood for writing much today. But “the show must go on” so here, at least, is another picture from the book.
These pics show the “looser” approach I used in the last week or two… These more scribbly elephants will be spread throughout the book so hopefully they wont come across as a jarring style-change.

While I wait for the FINAL proof let me tell you a bit about the Elephant book and how it came to be.
My Dad has written LIMERICKS for years and he has always expressed a fondness for elephants. (I remember his office at work had a few elephanty knick knacks about the place, including something I was fascinated by as a child; a cartoony cardboard elephant head mounted on the wall like a trophy). So, his co-workers started clipping news stories for him about elephants, in response to which he amused them by composing LIMERICKS about the elephants in the news.
Over the course of a year or two he amassed quite a few of these and a co-worker (named Ada Cheung) suggested he compile them into a little book. It was also thought that his cartoonist son might do a few illustrations. I am ashamed to tell you how long ago it was that I agreed to do the pictures… it was more than just a few years ago. I have a hard time keeping more than one project in my mind at a time, so the elephant book often took a backseat to my paying work and my comics. Dad often joked that, at the rate I was getting the art done, the book would be a posthumous publication in his case. However, I was able to get about 14 or so done in full colour and then I made a rough mock-up of the book which I sent my Dad for his birthday year before last.
At this point the intention was to self publish. The book is not exactly kid-friendly because so many of the stories deal with Sex and Death; rampaging elephants, crushed zoo-keepers, failed breeding attempts, elephant poaching, artists using Dung in their artwork and so on. I always thought the book to be a bit too idiosyncratic for a big publisher.

Now comes the really amazing part: Early in 2005, Dad was in the Australian country town of Wollombi (where his sister, my Aunty Marg lives) defending his TRIVIA NIGHT TITLE; a BAKER family team are (or were at the time of this story) the reigning TRIVIA NITE CHAMPIONS at the Wollombi pub. While there, Dad met an ACTUAL publisher who offered to publish the Elephant book when he saw the mock-up I had made… And unlike our self-published version, he wanted to do it in full colour!
Here’s me living on the west coast of the USA, supposedly one of the main centers of the media universe, with some connections in at least one branch of “the media”, yet I had Buckley’s chance of getting this thing properly published. So I had resolved to just do a simple version on my own. Meanwhile, my Dad wrangles a book deal on trivia nite at the Wollombi pub!
I love it!!
It took a while to get the contracts sorted out but while that was going on, the editor and I were still working on the book. She expanded it from the 64 pages that Dad and I had envisaged, which required even more illustrations, and I hadn’t yet finished the initial batch I had planned to do. After I finally roughed out the remaining illustrations in pencil, the designer, then used these to layout the book. That layout came in handy when I was finishing the artwork as I knew where the text had to go.

As to the current form of the book; It will be 128 pages in full colour and it is smallish, about 7×6.5 inches. At last count there are about 60 full colour illustrations and a few of those are double page spreads. The text consists of two things; the series of elephant news clippings Dad has saved over the years, and a limerick he has written inspired by each story. It will be published by EXISLE PRESS. The publisher is Gareth St John Thomas, the editor is Anouska Jones, and the designer is Nanette Backhouse.
The book should come out in Australia next April/May so keep yer eyes peeled. It will be entitled “Elephants in the News: Pachyderms in limerick”.

I just saw the proof and it looks super! However my work isn’t over yet; after consulting with the designer I have a few more days to bang out some MORE illustrations to fill some gaps in the layout. It is designed to be a 128 page book which is about 62 page spreads. So far I have illustrations for 42 of those spreads which still leaves quite a few spreads with only text. I am going to try to fill up some of those ART gaps with little spot illustrations, doodles and random stuff. These will be a lot looser than the other illustrations and in some cases I may just slap some colour over preperatory thumbnail sketches I already have.
OK, back to the drawing board!

The Elephant book has quite a few double page spreads and, like this one, they all have some space on the facing page where the text will go. I’ve already posted some of them here, but up till now I’ve cropped them to remove the “dead space” but this one doesn’t work so well without that shadow, so it accurately shows the proportions of what a two-page spread will look like. Maybe after the book comes out I will post some high-res versions of them which people could use as desktop images.
This is one of about 6 illustrations in the book where I used photo textures. The skin on the elephant’s foot is actually from a photo of an elephant, there is some fabric texture in the hunter’s outfit (though it is a bit too subtle to see here) the hunter’s skin texture is from a close-up photo of spotty terracotta and the ground is also from a photograph of cracked mud, though in all cases I had to manipulate and extend the photo material. It was actually pretty fiddly to get it to work.
I had so many pictures to do of pretty much the same subject matter, that I had promised myself at the outset to try as many different techniques as I could, to keep it interesting for me and, hopefully, for the reader. My only regret in that reguard is that I didn’t get to do any analog paintings. I had initially planned to paint a few of the pics in gouache and acrylic but I ran out of time (I am a slow and fiddly painter) but I did at least get to use some painterly textures I made as backdrops for some of the illustrations. There are a couple of illustrations that I did finish analog; in colour pencil. I will post those later.
This is also one of the very few pics in the book that was totally generated digitally. I had drawn a very scratchy thumbnail drawing for the composition but none of it is in the final art. In most other cases the illustration is built around some sort of analog drawing.




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